Bad News First…

A sad face emoji in black spray painted on an off-white wall.
Photo by Jan Prokes on Pexels.com

I’ve written before about how my laptop has served me well for nearly a decade at the low cost of several replacement parts. Unfortunately, one of the things I didn’t think to replace was the thermal paste on the CPU and GPU. This is the goop that helps transfer heat away from those critical components and into the cooling system so they don’t overheat and fail. This is particularly critical if you’re doing intensive tasks like editing video for a YouTube channel.

I started getting some weird slowdowns and freezes on general tasks and then full crashes when trying to edit video. The crash log helpfully said “GPU Panic” and a bunch of other things that are probably only decipherable by a hardware or firmware engineer. After the third or fourth crash, I decided that if I wanted to continue using my laptop, I’d need to offload the video editing to a different machine.

I decided to go with a Mac again, since my main use case was video editing. I’m not in college anymore, so I realized I didn’t really need to be mobile which is great since adding a battery and screen means laptops are more expensive and more likely to need repairs than a desktop. The new Apple Silicon Macs aren’t really repairable, but it is rare that you get a chance to jump to a completely new, but well-supported, platform. So, I gave into the new and shiny by getting an M1 Mac mini.

A Mac mini sits on top of a 15" MacBook Pro Laptop. The Mac mini desktop has a smaller footprint than the laptop. The laptop has stickers from Sparkfun electronics, NaNoWriMo, and the Center for Civic Innovation on it's lid.
My New Mac mini on top of my 2010 MacBook Pro

A big part of why I went with the Mac mini is that it is the greenest option if you do want to go with an M1. The storage and RAM aren’t user serviceable like on my Macbook Pro, but since there’s no battery and the screen, keyboard, and mouse are all separate components, I can use peripherals I already have. Plus, if one of them breaks, they’re easily replaced.

As Solarpunk Druid recently said, most modern devices are not built to be repaired, so we have to do the best with the options we have available. I’ve been very impressed with the new computer, but I’m glad the laptop still works as I’ve formed an emotional bond with the machine after using it so long and replacing so many of it’s components. I’m hopeful that this new machine will be as long-lived since while it’s less repairable it also has fewer components that could fail. I guess we’ll see.

How do you balance sustainability and replacing or repairing the broken things in your life? Are you reading this on a thirty year old computer and laughing at my boasts of using a mere decade old laptop? Let us know in the comments!

What’s Old is New Again – Deconstruction

A picture of the indoor waterfall at the Singapore airport. A large metal and glass bowl pours water out its bottom while surrounded by greenery.
Photo by Tiff Ng on Pexels.com

I recently saw several complaints about the preponderance of tree-stuffed glass towers or eco-brutalist structures in solarpunk art. Are trees on buildings the solarpunk equivalent of steampunk’s oft-maligned, “just stick some gears on it?” For an actual regenerative future, we’ll need to keep our buildings in use longer and reuse the materials from them more effectively when they do reach the end of their life.

Construction and demolition (C&D) waste accounts for twice as much of the waste stream here in the United States when compared to municipal waste. While 455 of the 600 million tons of waste were used again, the majority of that went to aggregate, making it a significant case of downcycling. This is not getting us to a closed loop, Cradle-to-Cradle system that we’ll need for our solarpunk future. Deconstruction presents a way out of this mess.

A woman looks at a partially deconstructed wall with two windows. There are slats along the wall, indicating it was once plastered. A ladder leans against another wall in the background and an exposed stud wall is between the camera and the woman. Debris litters the floor, presumably from demolition.
Photo by Monica Silvestre on Pexels.com

Almost any building, no matter how dilapidated, contains a treasure trove of materials: wood, steel, wiring, and plumbing. Unfortunately, in our cost-obsessed culture, it’s considered too expensive to retrieve these useful materials from the building. Instead, a building will be demolished, either by crane or explosives, and the debris will be hauled away. As we know from municipal recycling programs, once waste is mixed, it is much more difficult to separate. Any material that was still useful will be recovered at a much lower rate than if it had been separated before the building was demolished.

There are places where the careful removal of useful materials from a building is prioritized, like Portland, which passed an ordinance in 2016 to require deconstruction of homes built before 1940. Homes built after this time were not designed in a way to make disassembly simple, so the city is building up its deconstruction apparatus with the low hanging fruit. My impression is that the leader in this space is Japan, where space and materials are always at a premium. Other places in the United States investigating or requiring deconstruction include Pittsburgh, Baltimore, Milwaukee, and San Antonio.

A brick wall with a window on the left, and a large creeping vine covering it on the right. The bricks are red and black with white mortar.
Photo by Tim Mossholder on Pexels.com

More difficult materials, such as masonry products, present a special difficulty for reuse and recycling. While individual bricks are reusable, extracting them from a wall and removing all the mortar can be painstaking at best. Gabriela Medero, a professor from Scotland, has a possible solution, the K-Briq. Made mostly from construction waste in a process that can be placed onsite at C&D disposal facilities, K-Briq is one possibility for reusing masonry materials.

As more streamlined methods of construction like modular or 3D printed buildings reduce the labor needed for construction, increased deconstruction requirements will lead to an increase in the labor needed for a building’s end of life. While in a solarpunk future, a person’s ability to work wouldn’t be tied to their survival, in our current world, the ability for construction workers to provide for their families is a major concern. The labor unions that can influence the direction of the construction industry are particularly concerned about having enough labor demand for their members. Deconstruction gives us a way for both people and the planet to win.

Do you have deconstruction requirements in your area? I’m especially curious about how this is handled outside the United States, as we often lag behind the rest of the world when it comes to sustainable construction techniques. Please share in the comments!

Exciting announcements

Before I get into the big (for me) news, I thought I’d offer a bit of clarification. I often use we and I interchangeably here on the blog, and it’s not an attempt to set myself up as royalty. I’ve always intended Solarpunk Station to grow beyond just one rando’s ramblings on the internet, so I’ve used we aspirationally in the hopes that someday there would be more contributors beyond myself. I am currently planning a project for the fall that will include some guest contributors that I hope will move the blog and channel in that direction.

Three black and white CGI characters carrying what appear to be celery, a drumstick, and perhaps a giant noodle emerging from a cloud are walking together beneath yellow and black text saying "Comradery."

If you haven’t heard, Solarpunk Station is now a member of Comradery Coop! Comradery is a place where people can support their favorite creators via monthly donations or memberships. The big difference between Comradery and Patreon is that Comradery is a platform coop and creators are not subject to the whims of a centralized corporate entity. If you’d like to support the work I’m doing here on the blog and on the YouTube channel, check out the page here.

An image of a raised planter garden with the anthology title: "Almanac for the Anthropocene: A Compendium of Solarpunk Futures" and the words: "Edited by Phoebe Wagner and Brontë Christopher Wieland."

The other exciting announcement is that an anthology I contributed to, Almanac of the Anthropocene: A Compendium of Solarpunk Futures, is up for preorders now! It’s coming out in September, and you can get it from WVU Press.

Thanks everyone for making this worthwhile, and I look forward to continuing to work together to build regenerative futures!

What is Lunarpunk?

Lunarpunks are the night dwellers of our solarpunk futures. Biomimmicry of bioluminescent creatures, moth-themed cloaks, and gossamer fabrics fluttering in the night breeze are some of the aesthetic influences here. Winter would be the lunarpunks’s time to be more active, hosting events in the crisp nights from art exhibits to street festivals.

Creatures of the Night

Lunarpunk focuses more on the night than solarpunk’s sunny disposition. Because of this, lunarpunk aesthetics are heavy in purples and blacks as opposed to the greens and yellows of solarpunk. Bioluminescent creatures provide inspiration for clothes that glow either under black-light or as a result of smart textiles. Lunarpunks love their fellow creatures of the night – moths, mushrooms, and bats.

Where the punk really comes in is that in a lunarpunk society, people feel safe going out at night. Social safety nets mean that people don’t have to resort to crime to get by, rape culture has been excised from the cultural consciousness, and sex work is demarginalized, voluntary, and safe. Police, prisons, and punitive justice have given way to restorative justice and a world where anyone, regardless of sex, gender, or sexual orientation, can feel safe walking down the street at night.

Person wearing a black, white, and crimson cape patterned like moth wings. Cape is wider than armspan in width, makeing the wearer appear to have moth wings.
Moth Wings Cape by CostureoReal on Etsy

Biotech

Biotechnology will have a big role to play in our solarpunk future, but I especially associate lunarpunk with biotechnology. I think this might be because of the aesthetic associations with mushrooms and bioluminescence. Bioluminescent trees or algae lamps could provide electricity-free path lighting in the cities of the future, and amazing different materials are being created from mushrooms like leather, wood, paper, or even structural building materials. Hempcrete and coral-inspired biomimetic concrete are being investigated to replace the carbon-intensive traditional concrete we use for so much infrastructure today.

Magic

Maybe it’s all the purple hues or the influence of the Moon, but lunarpunk feels more magical than solarpunk to me. As solarpunk is a movement that accepts both the spiritual and the scientific, this distinction is probably due more to my own cultural biases of magic being dark and mysterious than it is to any preference for solarpunks or lunarpunks to practice magic or not. The Solarpunk Druid and Justine Norton-Kertson have said something similar though, so it seems I’m not alone. While not a large percentage of the population yet, the growing number of pagans in the world will find a home in a lunarpunk future.

Photo by brenoanp on Pexels.com

Space, the lunarpunk frontier

Space has also become tied to lunarpunk expressions of a hopeful future. One series that I’ll talk more about in a future article that embodies this is the Earthseed duology by Octavia Butler. While the events of the books are terrestrial in nature, the main character is driven to help humanity reach the stars while not neglecting the planet we call home. Lunarpunk offers an alternative to the current thrust of private, corporate space exploration making space travel only for the rich and powerful to escape the planet they’ve ruined by ignoring the toll their activities exact from the natural world.

A proposed lunarpunk flag. A crescent moon in white overlays a black half circle moon silhouette which turns into a gear. These are overlayed on top of a purple (top-left) and black (bottom-right) flag, cut through on a 45 degree angle as many anarcho-fill-in-the-blank flags are.
A proposed lunarpunk flag

Upcoming lunarpunk projects

If you want more lunarpunk, there are two upcoming projects worth checking out. Submissions are open until March 14 for the lunarpunk-themed issue of Solarpunk Magazine, and until March 31 for Bioluminescent: A Lunarpunk Anthology. The Solarpunk Magazine submission window may tentatively reopen in May if they are still looking for submissions.

I’m really interested to see if there will be any stories that are both tidalpunk and lunarpunk, since the Moon’s influence on the tides makes me feel that there is a strong connection between the two subgenres.

Do you know of any other cool projects in the lunarpunk sphere right now? Let us know in the comments below, and have a great night!

Imagination

A black and orange floral background with the text, "From What if to What Next - A new podcast series with Rob Hopkins" it also includes a link to the series Patreon: www.patreon.com/fromwhatiftowhatnext

I’ve talked about how fiction can point the way to better futures, and one thing that really underlies fiction is imagination. As Einstein said, “We cannot solve our problems with the same level of thinking that created them.” If we want to overcome the climate crisis we need to imagine a better future than our current cyberpunk dystopia. This is why I was so excited to find the From What If to What Next podcast by Rob Hopkins.

Hopkins and his guests take the listener on a journey to an imagined 2030 that has seen radical change for the better. Each episode focuses on a specific topic, like Universal Basic Income, and the show starts with the guests describing what a day-in-the-life in 2030 might be like.

It’s been said that people find it easier to imagine an end to the world than an end to capitalism, and that’s because imagination outside of how to make more money has been relegated to the realm of children. Having an active imagination is seen as a weakness for adults who shouldn’t have their “head in the clouds.”

An animated GIF of Spongebob Squarepants (an anthropomorphic yellow sponge) moving his hands in an arc to create a rainbow out of thin air (water?). His pupils expand as he says the word, "Imagination."
Spongebob exercising his imagination

We need to reinvigorate our collective imagination to move forward as a society. The challenges facing us are serious, but that’s all the more reason to stop taking ourselves so seriously. Imagination and play are pivotal to our survival as a species, and that’s something we often forget, particularly those of us with backgrounds in STEM. Artists are way ahead of us in this respect.

When I was in grad school, I remember a friend from Thailand telling us how the protests there were like big parties with music and dancing. I just didn’t get it. My understanding of a protest was a bunch of angry people waving signs and calling out demands on a megaphone.

Now though, I think protests parties seem more effective. Prefiguring a better world at a small scale, like Occupy Wall Street did, is like a kind of sympathetic magic to create a future worth running toward. From What If to What Next is a great way to start thinking about the possibilities in our solarpunk futures. As we’re still evaluating how things will be when we establish a “new normal” after the pandemic, I’m cautiously optimistic about how we might see a brighter tomorrow.

Do you have any favorite ways to let your imagination run wild? I’d love to hear what you do in the comments! I love going on walks to jump start my own imagination.

Electrify by Saul Griffith – a Review

I think at this point just about everyone knows someone who thinks climate change is a problem, but that it will be too expensive to fix, or that the solutions just aren’t viable. I think Saul Griffith’s new book, Electrify, is the perfect book for this audience.

You can’t judge a book by its cover, but the blue foil shimmering on the white background of this cover certainly conjures images of the future. While tech bros promise techno-utopian carbon capture machines more efficient than trees, this book excels in rampant pragmatism. Griffith lays out a pathway to decarbonizing the United States transportation and power sectors with only currently existing technologies.

I don’t think I’m the target audience for this book, but I do think the plan to #ElectrifyEverything is a necessary, but not sufficient part of a solarpunk future. The catchphrase usually comes with some caveats, like probably not all industrial processes, and I do feel that solar thermal needs more love since a large percentage of energy use in the home is used for heating, but it’s a decent simplification for the bulk of our current fossil fuel applications.

Electrify can be criticized for not addressing climate justice beside a passing mention. We can’t afford to reinforce the racist and otherwise imbalanced power structures that originally lead to climate change during the energy transition. That said, this book isn’t designed to message an entire Green New Deal in one fell swoop. As someone who grew up listening to talk radio as a red state Republican (more on that later this year), I think Griffith does an excellent job of doing what we engineers do best – sticking to the facts.

He lays out a clear, but concise, explanation of how daunting climate change is, but then paints a solution by the numbers to how we can overcome it and be more prosperous by doing so. I’m not usually a big fan of all the militaristic language used to describe climate work, but the comparisons in this book to World War II mobilization are useful to put the scope of the issue into perspective. In short, reducing most of our emissions will cost a little less than it cost the US to fight WWII in terms of national GDP.

I think part of the reason climate inaction has been such an easy sell is because it feels too big for any one person to have any agency in the fight. Griffith points the way for how families, especially when bolstered with government-backed loans, can replace the pieces of equipment that generate the bulk of their carbon emissions – their car(s) and their appliances. This gets people in the door for the climate conversation.

A snowy field full of solar panels with a large wind turbine reaching toward the sky in the background. There are two buildings in the background, and one appears to be a silo or astronomy tower based on the hemispherical top.

I know centrism is a dirty word in solarpunk circles, but I don’t think we’re going to succeed in overcoming climate change or climate injustice if we decide that we can’t work with people who are coming from a different political background. Red states already generate the majority of the renewable power in the country, so that’s a starting point. The Republicans I know believe in fairness and justice, but the party and conservative talk show hosts have had decades to distort what those words mean in a political context. We aren’t going to overcome that conditioning overnight, but this book is a step in the right direction, even if it does just seem like neoliberal techno-utopianism at first blush. I feel there’s more going on here than that, but maybe I’m naive.

I am sending this book and my copy of Repair Revolution to my dad. He’s retired and does solar installs on the side since he has his certification as well as experience from wiring up his old and new houses for solar. He’s also a Trump supporter which led to some… strain in our relationship over the last few years. I’m hoping that this book will at least show how we have viable path forward to overcoming the worst effects of climate change without some massive government takeover of every industry, which is what many Republicans fear. Is it going to make him gung-ho about climate equity? No, but at least maybe he’ll be interested in talking about climate solutions instead of automatically shutting down the conversation. It’s not going to be an easy process to get to a solarpunk future, but we’ll get there, step by excruciating step. Electrify shows how the energy transition can at least be a relatively painless part of the process.

Is saving money and increasing our resiliency a way to bridge the political gap, or is storytelling the answer? I think it’s probably a mix, but let me know what you think below!


Disclaimer: If you order the book using the Indie Bound affiliate link above, I may receive a small commission.

Podcasts for the Planet

Photo by Zeke Nesher on Pexels.com

When I first started tuning into the solarpunk scene, climate podcasts were few and far between, or at least hard to find. Just in the last few years this has really changed, so here’s a roundup of some of my favorites.

  • How to Save a Planet – Hosted by Dr. Ayana Elizabeth Johnson and Alex Blumberg, How to Save a Planet investigates solutions to the climate crisis and ends every episode with a call to action you can take right now to help mitigate climate change.
  • Hot Take – A NSFW podcast hosted by Mary Annaïse Heglar and Amy Westervelt that takes a look at journalism and storytelling surrounding the climate crisis. If you don’t like swearing this is definitely NOT the podcast for you.
  • Frontiers of Commoning – David Bollier helps us explore the re-emergence of the commons, which is a critically important part of building an environmentally just future.
  • A Matter of Degrees – Geared toward those concerned, but not yet in the weeds of climate work, Dr. Leah Stokes and Dr. Katharine Wilkinson investigate solutions to climate change and what impacts these technologies and policies could produce.
  • No Place Like Home – Mary Anne Hitt & Anna Jane Joyner find the personal stories of people experiencing climate change first-hand to put a face to the climate crisis.
  • Warm Regards – Podcasts helmed by fellow scientists warm my heart, and Warm Regards is one of the best. Investigating the intersection of humanity and hard data, Warm Regards bridges the gap between the sciences and humanities.
  • Climate OneClimate One talks with scientists, politicians, and change makers impacting technology and climate policy. This show is typically more of a panel format with Greg Dalton as MC compared to the talk show nature of most of these other shows.
  • RepublicEN – Republicans who want to fight climate change DO exist, and this podcast covers climate policy from a “conservative” lens. I suspect that I’m not the only solarpunk with Republican relatives, so this is a good recommendation for your wider network, even if you aren’t one yourself.

I tried to only recommend podcasts I’ve listened to, but there’s an even bigger list here curated by Hot Take. Do you have a favorite climate podcast? Let us know in the comments below, especially if they’re in a language other than English! I know we have at least a few readers from around the world, and as an American, I only speak 1.5 languages.

Wild ideas: Ban advertising

At its most altruistic, advertising helps people find products or services that can improve their lives. In reality, advertising generates dissatisfaction in people so they will try to fill an imagined void with the thing the advertiser is selling.

Researchers have found that the amount of money spent in a country on advertising is inversely proportional to the happiness citizens report in that same country. While dividing by zero is inappropriate, it seems that eliminating advertising is a simple way to increase the happiness of many people. I think the characters in Walkaway by Cory Doctorow said it best:

“Is there really abundance? If the whole world went walkaway tomorrow would there be enough?”
“By definition,” she said. “Because enough is whatever you make it. Maybe you want to have 30 kids. ‘Enough’ for you is more than ‘enough’ for me… Depending on how you look at it, there’ll never be enough, or there’ll always be plenty.”

Walkaway by Cory Doctorow

The first step to banning ads seems to be the billboard ban. A few states in the US have such bans, and São Paolo, Brazil drew a lot of press when they instituted their “Clean City Law in 2006. Despite predictions of economic collapse brought on by the lack of outdoor advertising, citizens overwhelmingly supported the move and the change brought many previously hidden civic issues to light. Given the rollout of “smart billboards” that bring the pervasive tracking you know and love from the internet to the real world, getting rid of billboards everywhere else can’t happen soon enough.

Current advertising practices promote carbon-intensive lifestyle goods like SUVs that increase global carbon emissions. We should significantly limit, if not totally eliminate, all advertising if we want to hit the Paris Accord targets. We’ve built an economy based on growth for growth’s sake, and capitalism treats natural resources as infinite when it’s clear they aren’t. Banning advertisement is the first step in reducing consumption. Remember, it’s Reduce, Reuse, Recycle. The recycle is last for a reason.

Photo by Jeremy Bishop on Pexels.com

One group that’s been working to curb advertising is Fairplay, a nonprofit that runs the Campaign for a Commercial-Free Childhood. While their efforts are focused on a specific demographic, it seems that they have been working in the space the longest. As a new parent, I’m especially interested in their work. Growing our next generation of citizens outside of the consumer mindset would be an excellent place to start banning ads.

As a small business owner, I’d love to see an end to ads. While I have run ads to drive traffic to my Etsy shops, I feel that it isn’t something I like spending time on or feel adds a lot of value to the end product. Maybe selling on Etsy isn’t the best idea since I abhor sales, but I really like making things and don’t have enough room to keep all of my projects around. While I need people to find the things I make, I don’t like hunting customers around the internet like a predatory car salesperson.

Finally, if you haven’t already done so, I encourage you to install an ad-blocker and/or tracker blocker software. I use uBlock Origin, Privacy Badger, Canvas Blocker, and Decentraleyes on my own Firefox installation, but everyone has their own favorites. This software lets you regain a little bit of privacy as well as block a fair amount of the ad traffic directed toward your eyeballs. It’s not foolproof, but it can help you regain a small modicum of sanity in this ad-saturated world.

Do you love ads and think this is a terrible plan? Have you seen any clever ideas to circumvent ads? Let us know below.

Solarpunk Creator Opportunities – October 2021

Solarpunk creators, listen up! There are several projects that warrant your attention coming up: Solarpunk Magazine, Solarpunk Sunscapes, a Solarpunk Art Contest, and the XR Wordsmiths Solarpunk Story Contest.

First, if you want something to read right now, Grist’s Fix just announced the winners of their Imagine 2200 contest. If you want to read the stories, you can do so on the Grist website for free.

Solarpunk Magazine is launching their Kickstarter campaign October 2, 2021 to launch a speculative fiction magazine based on solarpunk. Once they’re going they’ll be accepting “short stories, flash fiction, and poetry that imagines a better and more harmonious world through.” For the Kickstarter, they have announced some pretty neat rewards from authors including Starhawk, Kim Stanley Robinson, and Alaya Dawn Johnson. Solarpunk Magazine will be launching in January 2022, and their podcast has already released its first two episodes.

Solarpunk Sunscapes is accepting submissions between 500 and 7,500 words until November 1, 2021. Editor Justine Norton-Kertson says they’re “always looking for stories with great character development, and stories with compelling conflict and tension even amidst a better and more utopian world.” If you think you have something that would be a great fit, check out the submission guidelines on their page.

Also accepting submissions until November 1, 2021 is the Solarpunk Art Contest by Yishan Wong. From Wong: “To bring about this [solarpunk] future we require not only science and technology and better politics, but a new aesthetic. We need art and music and film and even advertising that paints the picture for us of what our future can be, if only we are willing to work together and build it. That’s what this contest is about. If you believe as I do, I invite you to join me.”

Extinction Rebellion’s Wordsmiths (XR Wordsmiths) are running a Solarpunk Storytelling Showcase competition with entries closing October 11, 2021. There will be three different age categories for the contest (11 and under, 12-18, and 19+), so this could be a great opportunity for younger authors. For submissions: “With your vision for the planetary future in mind, please write a short story of up to 2,500 words and send it as an email (or email attachment) to XR Wordsmiths (xr-writers@protonmail.com) with the subject line ‘XR Solarpunk Storytelling Showcase Submission’.”

Are you an author, poet, or artist? What other opportunities are out there for solarpunk creators right now?

A Better Way to Tell Time – Solarpunk Chronometry

Our modern methods of timekeeping have changed our relationship with the world around us, giving us more precise measurements for science, but also abstracting us further from the natural world. I think it’s time we looked at how a solarpunk future can incorporate a saner method of chronometry.

A photo of several vintage clocks lined up in rows.
Photo by Tima Miroshnichenko on Pexels.com

Our neolithic ancestors lived and moved according to the cycle of seasons and the rising and setting of the sun. Before the widespread adoption of the clock, we slept in segments, instead of all the way through the night. With the rise of the train, time zones kept people on track to their destinations. Now, some people have suggested returning to local time based on solar noon and setting any meeting times based on Universal Coordinated Time (UTC). After a year of online meetings that were held in various time zones around the world, I really see the appeal of UTC so I wouldn’t have had to run calculations to figure out when the meetings were in my own time zone. Don’t even get me started on my feelings toward Daylight Savings Time.

An image of Stonehenge. Clouds hang over the monumental stones and the grass is green.
Photo by Pixabay on Pexels.com

On the calendar front, there have been several attempts at calendar reform to oust the Gregorian Calendar, including the French Revolutionary Calendar, the World Season Calendar, and the International Fixed Calendar (IFC). The IFC has 13 months of 28 days resulting in a weekly layout that is the same each month. This leaves one or two extra days depending on if it’s a leap year that go into Year Day and Leap Day. I really like the IFC, and one of the oft-cited drawbacks, constant Friday the 13ths, is easily remedied by changing the first day of the month to Monday according to ISO standards. Kodak even used the IFC for more than 60 years since George Eastman thought it was so elegant.


My version of the International Fixed Calendar (all months are the same)

What do you think? Would changing the calendar and time zones be more trouble than it’s worth? Let us know below!

My RadRunner Plus Kickstand Broke!

There were some comments back and forth regarding Rad Power Bikes customer service in my last video, so I wanted to address my own personal experience with them. This is just one perspective, so your mileage may vary.

I was sitting in my living room on a windy day and heard a crash outside the window. I had my RadRunner Plus locked to itself out front since I was going to ride it later, and saw it had fallen over. I complained in my first impressions video about how the kickstand was wimpy, and have had the bike fall over several times because of this.

I figured this was the same deal, but when I got outside I found the kickstand was on the sidewalk and the bike was on the ground! The thing had sheared through. After locking the bike to a pole, I sent RadPower an email about the problem and included a photo.

RadPower got back to me and said they’d send a replacement. I asked, just for grins, if the original RadRunner kickstand would fit the Plus, but they told me it wouldn’t.

Once the new kickstand got here, it was a simple matter of pulling the two screws out and putting them back in. I did the replacement back several months ago and haven’t had any new issues. I still don’t think the kickstand design is very sturdy, but RadPower did get me a replacement in a reasonable amount of time. That said, I’m looking at alternatives as I’m hoping to get riding soon with my son, and I don’t want to trust that flimsy kickstand with my child’s life. If you know of some solid replacement options, PLEASE, PLEASE, PLEASE, let me know.

At the end of the day, Rad’s service seems inconsistent in quality. It may depend on the customer service person you get. My understanding is that the Covid bike boom did really stress the bike industry as a whole, so I guess we’ll see how it goes as things return to “normal.” Feel free to sound off with your own experiences in the comments.

Plastics – A Tidalpunk Antagonist

A plastic bottle and some other detritus are very close to the camera and litter the shore. There are sticks mixed with the litter, and the ocean and some mountains are in the background, but out of focus.
Photo by Catherine Sheila on Pexels.com

Plastic pollution is one of the biggest threats to ocean life. While images of chairs and tires on the seafloor can get a visceral reaction, it’s the small stuff that will cause the biggest problems. Plastics don’t truly degrade, but break into smaller and smaller pieces until they become microplastics or microfibers. The chemical additives in these plastics negatively impact ocean life and human health as they’re eaten and move through the food chain. A tidalpunk future will have to deal with this legacy of waste.

Microfibers are fibers smaller than human hair shed when cloth wears down. While all microfibers can have potential hazards, plastic microfibers like polyester have the added threats of never breaking down and leaching chemicals like endocrine disruptors. At the Mid-Atlantic Marine Debris Summit in July scientists presented work on microplastics and and other sources of human trash in the ocean. I was surprised to learn that dryers, and not just washing machines can be a source of microfibers. There are now some microfiber filters available like the Cora Ball, Guppyfriend bag, or Lint LUV-R for catching microfibers from the wash.

Microplastics come from many sources, but single-use plastic packaging is especially prolific. Some scientists have called for a global ban on virgin plastic since plastic is an inexpensive byproduct of fossil fuel extraction and there is no incentive for the material to return to the technical nutrient cycle. Moving forward, we need to drastically reduce the use of plastic to prevent further proliferation of microplastics. Holly Grounds’s dissolving ramen packet is a great example of rethinking packaging design. Another promising development is plastics that can actually biodegrade outside of a high temperature composting operation.

Hands reach into a bin full of soda bottle caps.
Photo by Krizjohn Rosales on Pexels.com

Plastic wasn’t always a throwaway material, and Precious Plastic designs open source machines for processing and reforming waste plastics into durable goods. Communities in the developing world are finding ways to repurpose the waste dumped on their countries by the rest of the world. You can check out organizations like Surfrider or Plastic Oceans for other ways to help.

YES! did their entire summer issue on the plastic crisis, so I’d encourage you to check out their coverage. If you want to learn more about the current lifecycle and impacts of plastic, I’d suggest The Story of Plastic as an introduction and the longer and NSFW This Week Tonight piece on plastics as a good follow up.

While you can reduce your own use of plastic to some extent, unless you are dedicated to going zero waste, plastic is almost unavoidable in everyday western life. This is a big issue, and I feel that it’s something we’ll be dealing with for generations, even if we stopped using all plastics now.

How can we build a plastic-free future? Share your ideas below!


This is Part 4 in our feature on tidalpunk for August. See Part 1: Can Maritime Shipping Go Tidalpunk?, Part 2: Tidalpunk Food – Fishing and Farming the Sea, and Part 3: Tidalpunk Energy – Offshore Wind in the US.

Tidalpunk Energy – Offshore Wind in the US

Greater Gabbard Wind Farm in the UK – photo by SSE via a CC BY-ND 2.0 license

Offshore wind is gearing up in the United States. The federal government has announced a goal of 30GW of offshore wind generation by 2030 and 110GW by 2050. For reference, the current largest wind turbine available generates 15MW, so it would take 2,000 of these turbines to reach the 2030 goal if that were the only turbine type used.

One bottleneck for getting these projects started is Wind Turbine Installation Vessels (WTIVs). The first European offshore wind installations started in the 90s, but existing European ships can’t be used because of the Jones Act which stipulates that vessels operating in US seas must be built, owned, and operated by US citizens or corporations. Dominion Energy’s Charybdis WTIV is under construction in New Orleans and should be operational in 2023.

Charybdis will first get to work here in Virginia building the Coastal Virginia Offshore Wind Project. Hampton Roads, Virginia has been billing itself as a hub for the offshore wind turbine industry. There’s a long history of maritime industry on the Virginia coast, so it’s great to see these communities able to transition with the winds of change.

The Coastal Virginia Offshore Wind Project isn’t the only offshore wind farm to be in development here in the US. After the failure of the Cape Wind Project in Massachussetts, offshore wind’s future was murky in the US. However, Maine appears to be the only state explicitly rejecting offshore wind, with new projects being planned on both coasts including New Jersey and California.

A pile of one dollar bills spread across the frame.
Photo by Pixabay on Pexels.com

As mentioned previously, one problem I see with a lot of developments in tidalpunk-related tech is that so much of it is big money, high technology equipment that is difficult to build and procure without large governments and corporations. For instance, Dominion Energy has had a stranglehold on the state legislature in Virginia for decades due to their shady business and political practices. Offshore wind offers a big opportunity for cutting carbon emissions in the grid, but I’m wary of the lack of community control over these generation resources.

As I live in the US, this blog tends toward developments here. Do you have offshore wind in your area? Let us know about it in the comments!


This is Part 3 in our feature on tidalpunk for August. See Part 1: Can Maritime Shipping Go Tidalpunk?, Part 2: Tidalpunk Food – Fishing and Farming the Sea, and Part 4: Plastics – A Tidalpunk Antagonist.

Tidalpunk Food – Fishing and Farming the Sea

The camera looks up at a school of fish from below. They appear to be swimming in a circle around the center of the image.
Photo by Harrison Haines on Pexels.com

Dr. Sylvia Earl says we need to stop commercial fishing if we want to keep our oceans healthy. Over-fishing and pollution are driving many species to the brink, not to mention the harm of increased ocean temperatures and acidity brought on by climate change. For those of us not in societies where fishing provides subsistence, is there a better way to get our fix of fish?

On the horizon, and already on some store shelves, plant-based seafood could prove to be a way to get that taste of the sea without the environmental and human toll. This is good news since beyond the environmental toll, industrial seafood also has more than its share of human rights abuses. Current faux fish focuses on staples that are more about what you do with them than the underlying flavor of the meat. Crab cakes, shrimp, and canned tuna substitutes are the leaders of the pack here. While lab-grown seafood is getting a lot of investment, it is still nascent at best like lab-grown meats. Unsurprisingly, it takes a lot of work to grow cells outside of a living organism.

A diagram showing a boat on the surface of the ocean over seaweed on a line and oyster, mussel, scallop, and clam cages.

The image describes the advantages of this "polyculture farming system:"
-High yields of shellfish and seaweed
-Small footprint
-Low barrier to entry
-20 acres, a boat, and $20-50k
-Carbon and nitrogen sink
-Zero inputs: no fresh water, fertilizers, or feed
-Storm surge protection
-Rebuilds marine ecosystems
GreenWave’s Aquacultural Model

The real rock star when it comes to aquaculture and sustainability is seaweed. Able to sequester carbon, serve as a protein source, reduce emissions from cattle, and provide oil for biofuels, kelp is truly the wonder algae. One of the best primers on the potential of seaweed to help in the climate fight is the two-part podcast on kelp farming from “How To Save a Planet.” These episodes center on the efforts of GreenWave, a non-profit developing a 3D “polyculture” system for growing kelp and shellfish in the ocean. Since kelp and shellfish don’t require agricultural inputs (fertilizer, fresh water, etc.), this form of aquaculture is both eco-friendly and economical. Plus, with all the co-benefits to shoreline and marine communities, this is a great example of multi-solving.

Unfortunately, a lot of the ocean-related technologies being developed right now are from big governments or big corporations. GreenWave is focused on building a network of small holding ocean farms instead of replicating terrestrial agriculture’s industrial model though. They’re putting the punk in tidalpunk!

If you have ideas on how to bring these emerging technologies into the commons, let us know below!


This is Part 2 in our feature on tidalpunk for August. See Part 1: Can Maritime Shipping Go Tidalpunk?, Part 3: Tidalpunk Energy – Offshore Wind in the US, and Part 4: Plastics – A Tidalpunk Antagonist.

Can Maritime Shipping Go Tidalpunk?

A cargo ship sails down a channel next to a tug boat. A series of cranes dot the sides and background.
Photo by Martin Damboldt on Pexels.com

Since summertime is beach time here in Virginia, this month we’ll be taking a look at some developments toward our tidalpunk future. Today, we’ll be looking at how the maritime shipping industry is working to clean up its act.

While at sea, the majority of cargo ships use high sulfur fuel oil, the most polluting fuel in use today. With a global target to reduce maritime shipping emissions by half by 2050, however, the shipping industry is looking at its biggest change since switching from coal to diesel 100 years ago. While diesel won’t be going away soon, a mix of new and old technologies are receiving interest to replace fossil fuels in shipping.

The most exciting development in my mind, is the interest in bringing back sailing vessels for cargo transport. While a handful of clippers are still operating as cargo vessels, new ships in development like the EcoClipper500 could pave the way for a retro-futuristic tidalpunk future. As we’ve discussed before, the best way to clean up shipping emissions would be to exercise the first R and reduce the amount of stuff being shipped around the world in the first place. A combination of sailing vessels and distributed manufacturing of goods could make a big difference in carbon emissions and material waste.

A sailing ship with a white hull sails along a mountainous background. It has three large masts that are only partially rigged, presumably to keep speeds low for maneuverability.
Photo by Inge Wallumru00f8d on Pexels.com

In port, those diesel fumes can add up to some gnarly local air pollution for these communities. Oslo, Norway intends to be the world’s first zero emission port by investing in electrification of ferries and installing shore power so visiting boats can cut their engines while docked. Cleaning up the air is good for humans and wildlife that live near these industrial hubs, so cleaning up ports is an important piece of environmental justice work. Other ports are cleaning up their acts around the world including Los Angeles, Auckland, and Valencia showing this trend isn’t isolated to Scandinavia.

Despite their questionable environmental cred, cargo ships can still be a less carbon intensive option for long passenger journeys when compared to flying. According to Will Vibert, a cargo ship passenger, they can also feel surprisingly luxurious. “As I soon came to understand, the luxury of being at sea is not about fine food or a plush mattress; rather, life at sea itself – the tranquil pace and intoxicating sense of adventure – is the true luxury.” Later in the article they relate a similar luxury in the time-consuming, but languid process of North American train travel as I have experienced myself.

Do you have any thoughts regarding the maritime shipping industry and tidalpunk? Have you seen any cool initiatives at a port near you? Let us know in the comments below!


This is Part 1 in our feature on tidalpunk for August. See Part 2: Tidalpunk Food – Fishing and Farming the Sea, Part 3: Tidalpunk Energy – Offshore Wind in the US, and Part 4: Plastics – A Tidalpunk Antagonist.

Institutions Are the AIs Your Mother Warned You About

Photo by Anastasia Zhenina on Pexels.com

If you pick up a book or movie about Artificial Intelligence (AI), there’s a good chance you’ll find a story where robots or AI have subjugated humanity. The Terminator, the robots in The Matrix, and the Borg all strike fear into our hearts because they lack humanity. The cold, calculating logic by which they see the universe makes them alien and incapable of the things that define human experience like compassion or love. The thing is, the AIs your mother warned you about are already here. We call them institutions. 

In Brandon Sanderson’s fantasy novel Oathbringer, Nale, the Herald of Justice, says, “The purpose of the law is so we do not have to choose. So our native sentimentality will not harm us.” In modern times, we say the law is blind, but recent protests over racially-motivated violence committed in the name of the law show that removing human choice from the equation just creates an algorithm for oppression. We’ve given the appearance of impartiality to a process that is biased because of who wrote the laws and when they were written.

For example, computer AIs developed to help with criminal sentencing calculate recidivism probabilities based on historical policing data. The “impartial” AI looks benevolent, but when the data it is fed derives from hundreds of years of racist policing practices, it’s not hard to see why the AI is more likely to suggest a light sentence for a white defendant than a person of color. In January 2020, the increasing reliance of law enforcement on AI-driven facial recognition systems led to the first known wrongful arrest based on the inability of facial recognition systems to distinguish between people who aren’t white men. Modern law enforcement has been investing in tools that entrench racism behind a steel and plastic veneer of impartiality. The subjugation of parts of humanity is already in progress, and it’s grounded in the biases of programmers—who are all too human. One of the most basic thought experiments of AI gone wrong is Nick Bostrom’s proposed paperclip maximizer. Because it only has one goal, it will execute that function without taking other consequences into account. As the AI ramps up its production of paperclips, the planet it’s on is consumed by iron mines and paperclip factories until those who originally programmed the AI are consumed for their raw materials. While this example may seem ridiculous, it’s the logical conclusion to business models that are designed to maximize financial growth.

Corporations are single-minded AIs programmed to make a profit. Since corporations exist in large part to separate legal liability for the corporation’s actions from its members, there are few truly effective checks on a company’s behavior. With these inputs, it should come as no surprise that the corporations of the world have done irreparable harm to our biosphere. The board of directors and shareholders are still human, but as Upton Sinclair said, “It is difficult to get a man to understand something, when his salary depends upon his not understanding it!”

While the AIs in The Matrix at least leave humans the illusion that they are not slaves, the Belters who work in the outposts of the solar system in the The Expanse series by James S. A. Corey are at risk of losing their very air and water if they do not comply with the demands of interplanetary corporations. Even when a discovery is made that would change the very nature of human existence, the Protogen company seeks to profit by starting a war between Earth and its former colony, Mars. The corporation’s pursuit of profit manages to oppress humankind without a single sentient computer. 

We don’t need to look to a dystopian future to find artificial intelligences bent on human domination. They’re already here. The first step to creating a world with AIs we can work with is disarming the dangerous ones. Congress has started the process of fighting corporations with its recent Investigation of Competition in Digital Markets Report coming after years of effort from groups like the Institute for Local Self-Reliance, small businesses, and cooperatives. At the same time, The Movement for Black Lives has been steadily growing to point out the flaws in the current legal system. Overcoming systemic racism and corporate power are the major battles we have against malicious AIs right here and now. We should be developing better ways to make humans part of the AI feedback loop, as Douglas Rushkoff suggests, so that when the computer-based generalized AIs come, we’ll be able to work alongside someone like Data instead of under the gaze of Skynet.

This article originally appeared on the Science Fiction and Fantasy Writers of America (SFWA) blog in March of 2021.

Why Solarpunk Matters

A flag with split diagonally between green on the upper left and black on the lower right. An 8-rayed sun symbol is overlayed at the center with a black upper left and green lower right.
One of many solarpunk flags

As we enter a new decade, it can be hard to remain upbeat about the future. While I previously addressed some of the things I think define solarpunk, I think the most crucial piece is hope. I won’t get into the distinctions between hopepunk, solarpunk, and their related subgenres (tidalpunk, lunarpunk, etc.), but suffice it to say, in the face of the acceleration of the climate crisis, the pandemic, and decades of dystopian stories in fiction, it’s time for some positive possible futures.

Dystopias have their place in fiction warning against the perils of certain trends in society or potentially dangerous technologies. They can be great foils to techno-optimism, but when all you get are dystopias, it can become difficult to imagine your way out of a crisis. This is no more apparent than what is happening with the current climate crisis.

After decades of dismissal or denial, people are waking up to the fact that the carbon has hit the fan and we don’t have a lot of time left to act if we want to avoid the worst effects of global warming. We’re at a decision point, and after only hearing depressing news from the media and watching movies based on dystopian futures like the Hunger Games or Handmaid’s Tale, it’s no wonder that many are ready to just give up trying to fight what feels like an inexorable foe.

Now, more than ever, we need stories that paint a positive future. People have been bludgeoned to numbness by threats of rising sea levels, increasingly unpredictable weather, and the extinction of many of the other species on the planet. We need to show people that there is hope for the future and that we can still beat this thing. Is it too late for some species? Yes. We’re not going to come out of this unscathed, but if we don’t start acting now we might not come out of the other side at all.

Positive news about efforts in various parts of the world that are actually moving the needle on carbon emissions and other environmental issues is critical. Stories that show how the future could be so much better with clean energy and equitable distribution of materials is a much easier sell than saying certain behaviors or items should be banned. “Theft of Enjoyment” featured as the boogeyman when Republicans incorrectly claimed that the Green New Deal would make hamburgers illegal. As icky as advertising can be, only fitness companies make money by telling people what they shouldn’t have. Showing how much better our possible futures could be will have people running toward something instead of fighting tooth and nail to preserve what they already have, even if it isn’t good for them.

Cover of the Sunvault solarpunk anthology. The full title says SUNVAULT: Stories of solarpunk and eco-speculation and it is set on a colorful picture of a city with a river and lots of vegetation.
Sunvault – A solarpunk anthology

As the near future foil to cyberpunk, solarpunk is here to show us the world we want to have, not the one we’re afraid is coming. Does that mean that solarpunk is free of conflict or struggle? No. Solarpunk isn’t a perfect world, but it is a better, more equitable one. Solarpunk is giving people something worth fighting for which is much more powerful than asking for people to fight against something. In the face of the climate emergency, it can be easy to get overwhelmed, but solarpunk is what keeps me from giving up in the face of imposing odds. As Miguel de Cervantes said, “Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be!

How do you maintain your mental health in the face of climate catastrophe? Has solarpunk helped you weather the storm to your psyche as it has me? Let us know below.


Theseus’ Laptop

A 15" MacBook Pro Laptop. It is aluminum with black keys on the keyboard. It is sitting on a floral print bench near a window.
My 2010 MacBook Pro

At the risk of jinxing things like the failure of my Pebble shortly after extolling its retro-tech virtues, I thought I’d write a bit about my laptop after reading this piece in Low Tech Magazine about why Kris De Decker won’t buy another new laptop. While we have several computers in the household, my daily driver is a 2010 Macbook Pro.

At this point, I have replaced many of the parts of this notebook, and I’m starting to have questions along the line of Theseus’ Ship. After replacing the logic board, keyboard, trackpad cable, battery, hard drive, RAM, power supply, and soon a speaker, is this the same laptop I bought secondhand in 2013 off of Craigslist? It doesn’t really matter as long as it still runs, I suppose, but it is a curious thought.

When I bought the laptop, I had finished my university studies and wanted to switch away from a Windows tablet to something that could handle CAD and video work. When a wine-damaged MBP showed up on Craigslist that would still work plugged into an external keyboard, mouse, and monitor, I decided to take a chance. After a failed attempt to repair the video issue on the logic board and replacing the keyboard via a laborious process involving lots of teeny-tiny screws, I had a functioning laptop.

One of the last Macbooks before Apple started soldering everything onto the logic board, this machine has served me well for writing, running our Etsy shops, doing simple CAD and vector drawings, answering emails, and connecting via video chat with folks. I can’t operate very long away from a power outlet, but otherwise this computer does everything I need it to.

A screenshot of my current desktop and device info. The laptop is a Core i7 620 with 4 cores at 2.67GHz. I apparently need to get the drivers squared away for the video card still.
My Debian Desktop and Computer Info

Every so often, I see a new, shiny computer and am tempted to retire this one, but it’s hard to beat the economic and environmental advantages of using a computer you already have. I switched over to Debian for my daily OS since I suspect we’ll be running out of updates for OSX High Sierra very soon and OSX has been mysteriously crashing since late last year when doing simple tasks.

I’ve tried switching this computer to Linux a few different times over the years I’ve had it, but it’s always been an unsatisfying experience for one reason or another. Imagine my surprise when this time Debian worked so well! Like any Linux install, there’s a bit of minor configuration to get everything working properly, but at least it will work properly instead of some of the very strange issues I’ve had in the past.

Do you have an older computer that suits your workload too? Tell us about it below!

Smart(er) switch

A white touch switch mounted next to a traditional white toggle switch.
My new(ish) living room smart switch

I bought a smart switch to help with the somewhat weird layout of our living room at the time. I had intended to reflash it with Open Source Software so I wasn’t sending data to some nameless company with remote servers that would render my switch useless if I lost connection to them. I had used the Tasmota firmware on another cord-based switch before and it proved simple and reliable.

There are a handful of different chips in these inexpensive smart wall switches. Some use the maker-favorite ESP chip, and others use a chip from a company called Tuya. The ESPs are usually easy enough to reflash after adding a programming header, but the Tuya chips require connecting directly to the pins on the chip. Someone designed a 3d printed jig to help with this, but I wasn’t able to print one that was usable which led to the long break between purchase and use.

In December, I found the switch again and decided to give it another go. I found that there was now a tool called Tuya Convert that allows you to change the firmware over your home WiFi network. With things approximately 1000x simpler, I was able to get the switch working with the Tasmota firmware in just an evening.

A screenshot of the “timers” part of the Tasmota firmware

The firmware includes an option to turn the light on or off at a particular time, including a set number of minutes before or after sunrise/sunset. The device does need a little extra configuration to know its time and location, but it has been working reliably since the initial setup.

One of the reasons I prefer switches to smart bulbs is that everyone already knows how to use a wall switch. When I first installed the firmware, the physical switch function didn’t work, so I had to ask Alexa to turn it on or off instead of being able to do it myself. After some digging around on the Tasmota list of supported devices, I got it working by modifying a profile from a switch that was actually supported. I strongly support going with a supported switch to save yourself the headache. I saw they even had some options now with Tasmota from the factory, which is probably the best option. As the project is Open Source, I was able to suggest an update to the database with the settings I found working for this particular switch in case anyone comes across it again in the future.

I’m happy with the switch since I can turn it on or off from other parts of the house or turn the light on or off while I’ve got my hands full. Our kitchen and living room are attached, so it’s especially helpful when I’m cooking or doing dishes.

Do you have any smart appliances or lighting in your home? Do you find it helpful, or are smart IOT gadgets just something that’s unnecessary to solarpunk life? Let us know below!

Rocking a Pebble in 2020

My beausage-rich Pebble smartwatch

I’ve mentioned before how my Pebble smartwatch is one of my favorite devices, but I thought I’d detail how the device is helping my sanity in 2020, four years after Pebble company shut down.

Pebble was one of the first successful smartwatches, and raised $10M on Kickstarter, making it the most successful crowdfunding campaign to date when it closed in 2012. Watches started shipping in 2013, and even seven years later, the Pebble is one of the best smartwatches available.

In 2017, I joined the smartwatch crowd with a used, original Pebble. Smartwatches aren’t a required part of modern society, but my Pebble lets me triage incoming smartphone notifications and send simple replies. I set my phone to silent and receive a gentle vibration on my wrist whenever a notification comes in for one of the apps I’ve allowed to notify me. When I unlock my phone later, I can see any low priority notifications, but I really enjoy not having the mental clutter of seeing or hearing every single notification as it comes in. My Pebble makes my smartphone experience significantly more pleasant and offers me a small bit of mental clarity I wouldn’t get otherwise.

Earlier this year, my Pebble had started dropping it’s connection to my phone and experiencing some strange issues. Afraid it was dying, I put it in airplane mode and used it as a regular watch for a couple months. After digging around online, I decided the most likely culprit was the battery, so I ordered a replacement. Then, I kept using the Pebble as a regular watch for another month since I was so intimidated about cracking it open to replace the battery.

Internals of a first generation Pebble smartwatch

I eventually worked up the courage to do the battery replacement, and I am so glad I did. I’d forgotten how much calmer my mind feels without the incessant chimes and dings of my phone’s notification system. The new battery is slightly bigger so the watch back isn’t flush anymore which hampers its water resistance, and I cracked the backlight guide which gives a slight line down the middle of the display, but I’m just going to call that beausage and move on. It’s only visible when the backlight is on anyway, so it’s exceedingly minor.

One downside of having a watch from a defunct company is that not all of the watch apps work anymore. Luckily, the back end for many services is now maintained by the Rebble community, so if you have a fancy newer Pebble Time, you can still use voice dictation, and the app store is still there even if not all the apps work 100% anymore.

The Pebble isn’t perfect by any means, but a smartwatch that still works seven years after its debut seems pretty solarpunk to me. When Android Wear and Apple watches get relegated to obsolescence by Google and Apple, Pebbles will still be telling time and making life subtly better. Like any electronic device, I can see where the watch may eventually break down, but I’ll probably try to find another Pebble unless someone comes out with a similarly simple smartwatch. I would suggest upgrading to the Pebble Steel though since the plastic casing seems to be the most fragile part of the whole watch.

Do you think smartwatches are an unnecessary extravagance, or something that can help deal with information overload? Let us know in the comments!