I wasn’t sure what to expect going into Arboreality, but Campbell really pulled off multiple perspectives in a short book, which is no small feat. I was anxious about how well head hopping across time would work without something the length of a Sandersonesque tome, but by keeping the geographic scope limited and the characters within a few degrees of separation of each other, the narrative stays tight enough to stay invested in the outcome.
This book also does a good job of walking the line between climate apocalypse and everything was fine because of some hand wavy solution. Things are pretty rough throughout the book, but it does feel like things are slowly getting better. Wildfires, future pandemics, and sea level rise are just some of the issues facing our protagonists.
What I really appreciated is that there is no one hero to save us from climate change. The characters can’t save the world on their own. What they can do is plant seeds, both literal and figurative, for the next generation. That’s what spoke to me in this book. It really brought the concept of being a good ancestor to life, something my own ancestors might have thought of as “cathedral thinking.”
At this point, a certain amount of warming is baked into the climate system and I’m not going to see things return to “normal.” If you and I each do our own part to make the world a little better than we left it though, maybe my kid will see a stable climate or the next generation after them. I really puts all the struggles we’ve faced in the climate movement into perspective and makes them feel worth fighting even though they often don’t feel like enough.
If you even have the slightest care for future generations, do yourself a favor and read this book!
Weird Fishes by Rae Mariz was a wonderful journey that reminded me of how I felt the first time I read 20,000 Leagues Under the Sea as a kid. This book is definitely going on my recommendations list for tidalpunk literature, as it very deftly addresses climate change and its effects on the ocean without feeling preachy.
The story is an interesting take on the buddy genre, pairing a sheltered octopod scientist with an emotionally-vibrant and well-traveled mermaid. Amusing and profound interactions between the two characters help them grow as individuals while they investigate the cause and solution to slowing ocean currents.
Mariz’s prose is beautiful and evokes a true feeling of wonder and connectedness to the ocean. Clever twists on common turns of phrase remind you that the main characters aren’t human, and the interplay of the many different species of the ocean gives hints at the biodiversity teeming below the surface. There’s even a cameo by 52 Blue, the “world’s loneliest whale.”
This book helps you remember that we came from the sea and that it still exerts an emotional pull on us like the tide. One of my favorite lines from the book is “People carry the ocean inside them. On an upright fishbone spine sits the soul of an octopus.” Not every line in the book is that poetic, but I feel that encapsulates my feelings when I read this book.
While I wholeheartedly enjoyed this book, it isn’t for everyone. The book doesn’t shy away from the real world consequences of microplastics, commercial fishing, and warming oceans. Many creatures die, often in graphic, but not prolonged, ways. This book also has a content warning for sexual assault.
If you’re looking for a tidalpunk read that rekindles your love for the ocean, I can’t recommend Weird Fishes enough. If you’ve read any good tidalpunk books lately, let us know down below! I just started The Deep by Rivers Solomon and hope to report back on it soon!
Thanks to Stelliform Press for providing an ARC in exchange for my honest review.
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Lunarpunks are the night dwellers of our solarpunk futures. Biomimmicry of bioluminescent creatures, moth-themed cloaks, and gossamer fabrics fluttering in the night breeze are some of the aesthetic influences here. Winter would be the lunarpunks’s time to be more active, hosting events in the crisp nights from art exhibits to street festivals.
Creatures of the Night
Lunarpunk focuses more on the night than solarpunk’s sunny disposition. Because of this, lunarpunk aesthetics are heavy in purples and blacks as opposed to the greens and yellows of solarpunk. Bioluminescent creatures provide inspiration for clothes that glow either under black-light or as a result of smart textiles. Lunarpunks love their fellow creatures of the night – moths, mushrooms, and bats.
Where the punk really comes in is that in a lunarpunk society, people feel safe going out at night. Social safety nets mean that people don’t have to resort to crime to get by, rape culture has been excised from the cultural consciousness, and sex work is demarginalized, voluntary, and safe. Police, prisons, and punitive justice have given way to restorative justice and a world where anyone, regardless of sex, gender, or sexual orientation, can feel safe walking down the street at night.
Biotechnology will have a big role to play in our solarpunk future, but I especially associate lunarpunk with biotechnology. I think this might be because of the aesthetic associations with mushrooms and bioluminescence. Bioluminescent trees or algae lamps could provide electricity-free path lighting in the cities of the future, and amazing different materials are being created from mushrooms like leather, wood, paper, or even structural building materials. Hempcrete and coral-inspired biomimetic concrete are being investigated to replace the carbon-intensive traditional concrete we use for so much infrastructure today.
Maybe it’s all the purple hues or the influence of the Moon, but lunarpunk feels more magical than solarpunk to me. As solarpunk is a movement that accepts both the spiritual and the scientific, this distinction is probably due more to my own cultural biases of magic being dark and mysterious than it is to any preference for solarpunks or lunarpunks to practice magic or not. The Solarpunk Druid and Justine Norton-Kertson have said something similar though, so it seems I’m not alone. While not a large percentage of the population yet, the growing number of pagans in the world will find a home in a lunarpunk future.
Space, the lunarpunk frontier
Space has also become tied to lunarpunk expressions of a hopeful future. One series that I’ll talk more about in a future article that embodies this is the Earthseed duology by Octavia Butler. While the events of the books are terrestrial in nature, the main character is driven to help humanity reach the stars while not neglecting the planet we call home. Lunarpunk offers an alternative to the current thrust of private, corporate space exploration making space travel only for the rich and powerful to escape the planet they’ve ruined by ignoring the toll their activities exact from the natural world.
Upcoming lunarpunk projects
If you want more lunarpunk, there are two upcoming projects worth checking out. Submissions are open until March 14 for the lunarpunk-themed issue of Solarpunk Magazine, and until March 31 for Bioluminescent: A Lunarpunk Anthology. The Solarpunk Magazine submission window may tentatively reopen in May if they are still looking for submissions.
I’m really interested to see if there will be any stories that are both tidalpunk and lunarpunk, since the Moon’s influence on the tides makes me feel that there is a strong connection between the two subgenres.
Do you know of any other cool projects in the lunarpunk sphere right now? Let us know in the comments below, and have a great night!
I think at this point just about everyone knows someone who thinks climate change is a problem, but that it will be too expensive to fix, or that the solutions just aren’t viable. I think Saul Griffith’s new book, Electrify, is the perfect book for this audience.
You can’t judge a book by its cover, but the blue foil shimmering on the white background of this cover certainly conjures images of the future. While tech bros promise techno-utopian carbon capture machines more efficient than trees, this book excels in rampant pragmatism. Griffith lays out a pathway to decarbonizing the United States transportation and power sectors with only currently existing technologies.
I don’t think I’m the target audience for this book, but I do think the plan to #ElectrifyEverything is a necessary, but not sufficient part of a solarpunk future. The catchphrase usually comes with some caveats, like probably not all industrial processes, and I do feel that solar thermal needs more love since a large percentage of energy use in the home is used for heating, but it’s a decent simplification for the bulk of our current fossil fuel applications.
Electrify can be criticized for not addressing climate justice beside a passing mention. We can’t afford to reinforce the racist and otherwise imbalanced power structures that originally lead to climate change during the energy transition. That said, this book isn’t designed to message an entire Green New Deal in one fell swoop. As someone who grew up listening to talk radio as a red state Republican (more on that later this year), I think Griffith does an excellent job of doing what we engineers do best – sticking to the facts.
He lays out a clear, but concise, explanation of how daunting climate change is, but then paints a solution by the numbers to how we can overcome it and be more prosperous by doing so. I’m not usually a big fan of all the militaristic language used to describe climate work, but the comparisons in this book to World War II mobilization are useful to put the scope of the issue into perspective. In short, reducing most of our emissions will cost a little less than it cost the US to fight WWII in terms of national GDP.
I think part of the reason climate inaction has been such an easy sell is because it feels too big for any one person to have any agency in the fight. Griffith points the way for how families, especially when bolstered with government-backed loans, can replace the pieces of equipment that generate the bulk of their carbon emissions – their car(s) and their appliances. This gets people in the door for the climate conversation.
I know centrism is a dirty word in solarpunk circles, but I don’t think we’re going to succeed in overcoming climate change or climate injustice if we decide that we can’t work with people who are coming from a different political background. Red states already generate the majority of the renewable power in the country, so that’s a starting point. The Republicans I know believe in fairness and justice, but the party and conservative talk show hosts have had decades to distort what those words mean in a political context. We aren’t going to overcome that conditioning overnight, but this book is a step in the right direction, even if it does just seem like neoliberal techno-utopianism at first blush. I feel there’s more going on here than that, but maybe I’m naive.
I am sending this book and my copy of Repair Revolution to my dad. He’s retired and does solar installs on the side since he has his certification as well as experience from wiring up his old and new houses for solar. He’s also a Trump supporter which led to some… strain in our relationship over the last few years. I’m hoping that this book will at least show how we have viable path forward to overcoming the worst effects of climate change without some massive government takeover of every industry, which is what many Republicans fear. Is it going to make him gung-ho about climate equity? No, but at least maybe he’ll be interested in talking about climate solutions instead of automatically shutting down the conversation. It’s not going to be an easy process to get to a solarpunk future, but we’ll get there, step by excruciating step. Electrify shows how the energy transition can at least be a relatively painless part of the process.
Is saving money and increasing our resiliency a way to bridge the political gap, or is storytelling the answer? I think it’s probably a mix, but let me know what you think below!
Disclaimer: If you order the book using the Indie Bound affiliate link above, I may receive a small commission.
At its most altruistic, advertising helps people find products or services that can improve their lives. In reality, advertising generates dissatisfaction in people so they will try to fill an imagined void with the thing the advertiser is selling.
Researchers have found that the amount of money spent in a country on advertising is inversely proportional to the happiness citizens report in that same country. While dividing by zero is inappropriate, it seems that eliminating advertising is a simple way to increase the happiness of many people. I think the characters in Walkaway by Cory Doctorow said it best:
“Is there really abundance? If the whole world went walkaway tomorrow would there be enough?” “By definition,” she said. “Because enough is whatever you make it. Maybe you want to have 30 kids. ‘Enough’ for you is more than ‘enough’ for me… Depending on how you look at it, there’ll never be enough, or there’ll always be plenty.”
Walkaway by Cory Doctorow
The first step to banning ads seems to be the billboard ban. A few states in the US have such bans, and São Paolo, Brazil drew a lot of press when they instituted their “Clean City Law in 2006. Despite predictions of economic collapse brought on by the lack of outdoor advertising, citizens overwhelmingly supported the move and the change brought many previously hidden civic issues to light. Given the rollout of “smart billboards” that bring the pervasive tracking you know and love from the internet to the real world, getting rid of billboards everywhere else can’t happen soon enough.
Current advertising practices promote carbon-intensive lifestyle goods like SUVs that increase global carbon emissions. We should significantly limit, if not totally eliminate, all advertising if we want to hit the Paris Accord targets. We’ve built an economy based on growth for growth’s sake, and capitalism treats natural resources as infinite when it’s clear they aren’t. Banning advertisement is the first step in reducing consumption. Remember, it’s Reduce, Reuse, Recycle. The recycle is last for a reason.
One group that’s been working to curb advertising is Fairplay, a nonprofit that runs the Campaign for a Commercial-Free Childhood. While their efforts are focused on a specific demographic, it seems that they have been working in the space the longest. As a new parent, I’m especially interested in their work. Growing our next generation of citizens outside of the consumer mindset would be an excellent place to start banning ads.
As a small business owner, I’d love to see an end to ads. While I have run ads to drive traffic to my Etsy shops, I feel that it isn’t something I like spending time on or feel adds a lot of value to the end product. Maybe selling on Etsy isn’t the best idea since I abhor sales, but I really like making things and don’t have enough room to keep all of my projects around. While I need people to find the things I make, I don’t like hunting customers around the internet like a predatory car salesperson.
Finally, if you haven’t already done so, I encourage you to install an ad-blocker and/or tracker blocker software. I use uBlock Origin, Privacy Badger, Canvas Blocker, and Decentraleyes on my own Firefox installation, but everyone has their own favorites. This software lets you regain a little bit of privacy as well as block a fair amount of the ad traffic directed toward your eyeballs. It’s not foolproof, but it can help you regain a small modicum of sanity in this ad-saturated world.
Do you love ads and think this is a terrible plan? Have you seen any clever ideas to circumvent ads? Let us know below.
Our modern methods of timekeeping have changed our relationship with the world around us, giving us more precise measurements for science, but also abstracting us further from the natural world. I think it’s time we looked at how a solarpunk future can incorporate a saner method of chronometry.
Our neolithic ancestors lived and moved according to the cycle of seasons and the rising and setting of the sun. Before the widespread adoption of the clock, we slept in segments, instead of all the way through the night. With the rise of the train, time zones kept people on track to their destinations. Now, some people have suggested returning to local time based on solar noon and setting any meeting times based on Universal Coordinated Time (UTC). After a year of online meetings that were held in various time zones around the world, I really see the appeal of UTC so I wouldn’t have had to run calculations to figure out when the meetings were in my own time zone. Don’t even get me started on my feelings toward Daylight Savings Time.
Plastic pollution is one of the biggest threats to ocean life. While images of chairs and tires on the seafloor can get a visceral reaction, it’s the small stuff that will cause the biggest problems. Plastics don’t truly degrade, but break into smaller and smaller pieces until they become microplastics or microfibers. The chemical additives in these plastics negatively impact ocean life and human health as they’re eaten and move through the food chain. A tidalpunk future will have to deal with this legacy of waste.
Plastic wasn’t always a throwaway material, and Precious Plastic designs open source machines for processing and reforming waste plastics into durable goods. Communities in the developing world are finding ways to repurpose the waste dumped on their countries by the rest of the world. You can check out organizations like Surfrider or Plastic Oceans for other ways to help.
While you can reduce your own use of plastic to some extent, unless you are dedicated to going zero waste, plastic is almost unavoidable in everyday western life. This is a big issue, and I feel that it’s something we’ll be dealing with for generations, even if we stopped using all plastics now.
How can we build a plastic-free future? Share your ideas below!
Dr. Sylvia Earl says we need to stop commercial fishing if we want to keep our oceans healthy. Over-fishing and pollution are driving many species to the brink, not to mention the harm of increased ocean temperatures and acidity brought on by climate change. For those of us not in societies where fishing provides subsistence, is there a better way to get our fix of fish?
On the horizon, and already on some store shelves, plant-based seafood could prove to be a way to get that taste of the sea without the environmental and human toll. This is good news since beyond the environmental toll, industrial seafood also has more than its share of human rights abuses. Current faux fish focuses on staples that are more about what you do with them than the underlying flavor of the meat. Crab cakes, shrimp, and canned tuna substitutes are the leaders of the pack here. While lab-grown seafood is getting a lot of investment, it is still nascent at best like lab-grown meats. Unsurprisingly, it takes a lot of work to grow cells outside of a living organism.
The real rock star when it comes to aquaculture and sustainability is seaweed. Able to sequester carbon, serve as a protein source, reduce emissions from cattle, and provide oil for biofuels, kelp is truly the wonder algae. One of the best primers on the potential of seaweed to help in the climate fight is the two-partpodcast on kelp farming from “How To Save a Planet.” These episodes center on the efforts of GreenWave, a non-profit developing a 3D “polyculture” system for growing kelp and shellfish in the ocean. Since kelp and shellfish don’t require agricultural inputs (fertilizer, fresh water, etc.), this form of aquaculture is both eco-friendly and economical. Plus, with all the co-benefits to shoreline and marine communities, this is a great example of multi-solving.
Unfortunately, a lot of the ocean-related technologies being developed right now are from big governments or big corporations. GreenWave is focused on building a network of small holding ocean farms instead of replicating terrestrial agriculture’s industrial model though. They’re putting the punk in tidalpunk!
If you have ideas on how to bring these emerging technologies into the commons, let us know below!
Since summertime is beach time here in Virginia, this month we’ll be taking a look at some developments toward our tidalpunk future. Today, we’ll be looking at how the maritime shipping industry is working to clean up its act.
While at sea, the majority of cargo ships use high sulfur fuel oil, the most polluting fuel in use today. With a global target to reduce maritime shipping emissions by half by 2050, however, the shipping industry is looking at its biggest change since switching from coal to diesel 100 years ago. While diesel won’t be going away soon, a mix of new and old technologies are receiving interest to replace fossil fuels in shipping.
The most exciting development in my mind, is the interest in bringing back sailing vessels for cargo transport. While a handful of clippers are still operating as cargo vessels, new ships in development like the EcoClipper500could pave the way for a retro-futuristic tidalpunk future. As we’ve discussed before, the best way to clean up shipping emissions would be to exercise the first R and reduce the amount of stuff being shipped around the world in the first place. A combination of sailing vessels and distributed manufacturing of goods could make a big difference in carbon emissions and material waste.
In port, those diesel fumes can add up to some gnarly local air pollution for these communities. Oslo, Norway intends to be the world’s first zero emission port by investing in electrification of ferries and installing shore power so visiting boats can cut their engines while docked. Cleaning up the air is good for humans and wildlife that live near these industrial hubs, so cleaning up ports is an important piece of environmental justice work. Other ports are cleaning up their acts around the world including Los Angeles, Auckland, and Valencia showing this trend isn’t isolated to Scandinavia.
Despite their questionable environmental cred, cargo ships can still be a less carbon intensive option for long passenger journeys when compared to flying. According to Will Vibert, a cargo ship passenger, they can also feel surprisingly luxurious. “As I soon came to understand, the luxury of being at sea is not about fine food or a plush mattress; rather, life at sea itself – the tranquil pace and intoxicating sense of adventure – is the true luxury.” Later in the article they relate a similar luxury in the time-consuming, but languid process of North American train travel as I have experienced myself.
Do you have any thoughts regarding the maritime shipping industry and tidalpunk? Have you seen any cool initiatives at a port near you? Let us know in the comments below!
As we enter a new decade, it can be hard to remain upbeat about the future. While I previously addressed some of the things I think define solarpunk, I think the most crucial piece is hope. I won’t get into the distinctions between hopepunk, solarpunk, and their related subgenres (tidalpunk, lunarpunk, etc.), but suffice it to say, in the face of the acceleration of the climate crisis, the pandemic, and decades of dystopian stories in fiction, it’s time for some positive possible futures.
Dystopias have their place in fiction warning against the perils of certain trends in society or potentially dangerous technologies. They can be great foils to techno-optimism, but when all you get are dystopias, it can become difficult to imagine your way out of a crisis. This is no more apparent than what is happening with the current climate crisis.
After decades of dismissal or denial, people are waking up to the fact that the carbon has hit the fan and we don’t have a lot of time left to act if we want to avoid the worst effects of global warming. We’re at a decision point, and after only hearing depressing news from the media and watching movies based on dystopian futures like the Hunger Games or Handmaid’s Tale, it’s no wonder that many are ready to just give up trying to fight what feels like an inexorable foe.
Now, more than ever, we need stories that paint a positive future. People have been bludgeoned to numbness by threats of rising sea levels, increasingly unpredictable weather, and the extinction of many of the other species on the planet. We need to show people that there is hope for the future and that we can still beat this thing. Is it too late for some species? Yes. We’re not going to come out of this unscathed, but if we don’t start acting now we might not come out of the other side at all.
Positive news about efforts in various parts of the world that are actually moving the needle on carbon emissions and other environmental issues is critical. Stories that show how the future could be so much better with clean energy and equitable distribution of materials is a much easier sell than saying certain behaviors or items should be banned. “Theft of Enjoyment” featured as the boogeyman when Republicans incorrectly claimed that the Green New Deal would make hamburgers illegal. As icky as advertising can be, only fitness companies make money by telling people what they shouldn’t have. Showing how much better our possible futures could be will have people running toward something instead of fighting tooth and nail to preserve what they already have, even if it isn’t good for them.
As the near future foil to cyberpunk, solarpunk is here to show us the world we want to have, not the one we’re afraid is coming. Does that mean that solarpunk is free of conflict or struggle? No. Solarpunk isn’t a perfect world, but it is a better, more equitable one. Solarpunk is giving people something worth fighting for which is much more powerful than asking for people to fight against something. In the face of the climate emergency, it can be easy to get overwhelmed, but solarpunk is what keeps me from giving up in the face of imposing odds. As Miguel de Cervantes said, “Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be!“
How do you maintain your mental health in the face of climate catastrophe? Has solarpunk helped you weather the storm to your psyche as it has me? Let us know below.