Is it almost February already? Well, Happy New Year anyway! Hope things are off to a decent start for you all, and if not, I hope they improve soon.
I have several updates to post. First of all, last summer, our family moved from Charlottesville, VA to the Augusta, GA area, so I hope that goes some way toward explaining the dearth of posts from me in the last year. A big thank you goes out to all the guest bloggers who have been sharing their thoughts on Solarpunk Spirituality over the last year and helping me keep things running here. We will hopefully have one more post in the series before we call it to a close. Be sure to let us know what you think about it all and whether we should do another guest blog series on other topics in solarpunk!
A few podcasts have dropped in the last few months featuring me. Most recently, I was interviewed by Ariel at Solarpunk Presents about the Solarpunk Spirituality Series. In December, I was on two more episodes of If This Goes on Don’t Panic: another episode of my book review column Book Navigator and a solarpunk panel Q&A with Justine Norton-Kertson, Susan Kaye Quinn, Alan Bailey, and myself to wrap up the year of solarpunk columns over there.
I also have a piece about designing Heirloom Devices in the Solarpunk Conference Journal that was just published (for free!). Go check that out if you’re interested on my take on how to design devices that better fit into a solarpunk future. This is really a continuation of my thoughts from the Solarpunk Phone Series I wrote a few years back.
How was 2023 for you? Do you have any solarpunk plans for 2024? Let us know below!
Seeds for the Swarm by Sim Kern takes us on a journey of the near future where warming has continued and much of the United States is now barely habitable. People from the “Dust States” try to emigrate through a tightly-controlled border to the “Lush States” or muddle through with that rugged individualism we take so much pride in here in the United States.
This feels like a very likely future with continued exploitation of oil and corporate/government collusion leading to huge sacrifice zones where people work hard in polluting industries that are choking their communities so they can put food on the table for their families. Rylla, our protagonist, wants desperately to go to college, but doesn’t have much hope of getting out of the Dust States even though she’s in the top of her nationwide virtual high school.
When she finds out the oil company in her hometown plans to destroy the watershed that provides what meager water is available to her region and is the last thing to give her hope, she gets a ride to speak to the state legislature committee in charge. Despite an impassioned speech, her entreaties fall on distracted ears beholden to corporate overlords and gadget addictions. One viral, embarrassing remix of her speech later, she gets recruited as a scholarship student at a university in the Lush States.
Starting with her interaction with the elected representatives, Rylla does a lot of growing up in the course of this book. It felt like Kern took everything I learned during the course of my twenties and made Rylla face these hard truths all in the course of a single year. During her many misadventures, I identified with Rylla’s tendency to get swept up in the ideology of the groups she would spend time with before becoming disillusioned when she found they didn’t have the answers she needed.
This future has glimmers of hope, but the carcass of our current world is still the dominant society. While there are a variety of themes explored, I think the most important is how the protagonists push against eco-fascism being the only solution to solving the climate crisis regardless of who is promoting it. I think it really fits into what Andrew Dana Hudson said when he was interviewed by Solarpunk Magazine:
a solarpunk future is one in which the climate crisis is escalating, institutions are failing, late capitalism is getting even more precarious and putrid, and while technologies of sustainability might be becoming ubiquitous, we haven’t yet managed to fully phase out the toxic old for the green new. It’s a future (slash present!!) in which we need a movement of solarpunks to shove us onto a better path
Our Shared Storm: An Interview with Andrew Dana Hudson
As someone who is an engineer, I really love the interactions between Rylla, a humanities major, and all of her engineering/scientist friends. They’re preoccupied with how to get their projects to work the way they want them to without necessarily thinking about what secondary or tertiary effects the technology might have on the world. They are often dismissive of Rylla’s legitimate concerns and only later realize that she was right in being worried. The Ian Malcolm quote from Jurassic Park comes to mind of “Your scientists were so preoccupied with whether they could, they didn’t stop to think if they should.”
Rylla’s other main companions are her fellow humanities majors including her previous public school rival from another Dust State and her nonbinary roommate who literally smashes the patriarchy. As one might expect, it’s up to Rylla to join the forces of science and the humanities to defeat the eco-fascist Big Bad at the end of the book. I do feel like this book is a little better about explaining why the kids have to be so instrumental in saving the day compared to most other YA novels where it seems the adults just really needed to go on vacation that week.
There are plenty of mishaps, victories, death, and embarrassments to go around in this story, making it a solid entry into the YA genre. I could’ve done without the love triangle, but I know that’s a hard trope to kill. Rylla and the other characters feel like real, messy humans who are doing their best to make it in an imperfectly hopeful world.
Thanks to Stelliform Press for providing an ARC in exchange for my honest review.
If you’d like to support the blog, please use the affiliate link to the book above, or consider supporting us on Comradery, a cooperatively-owned patronage platform.
I wasn’t sure what to expect going into Arboreality, but Campbell really pulled off multiple perspectives in a short book, which is no small feat. I was anxious about how well head hopping across time would work without something the length of a Sandersonesque tome, but by keeping the geographic scope limited and the characters within a few degrees of separation of each other, the narrative stays tight enough to stay invested in the outcome.
This book also does a good job of walking the line between climate apocalypse and everything was fine because of some hand wavy solution. Things are pretty rough throughout the book, but it does feel like things are slowly getting better. Wildfires, future pandemics, and sea level rise are just some of the issues facing our protagonists.
What I really appreciated is that there is no one hero to save us from climate change. The characters can’t save the world on their own. What they can do is plant seeds, both literal and figurative, for the next generation. That’s what spoke to me in this book. It really brought the concept of being a good ancestor to life, something my own ancestors might have thought of as “cathedral thinking.”
At this point, a certain amount of warming is baked into the climate system and I’m not going to see things return to “normal.” If you and I each do our own part to make the world a little better than we left it though, maybe my kid will see a stable climate or the next generation after them. It really puts all the struggles we’ve faced in the climate movement into perspective and makes them feel worth fighting even though they often don’t feel like enough.
If you even have the slightest care for future generations, do yourself a favor and read this book!
Thanks to Stelliform Press for providing an ARC in exchange for my honest review.
If you’d like to support the blog, please use the affiliate link to the book above, or consider supporting us on Comradery, a cooperatively-owned patronage platform.
The Deep covers a number of different themes in such a rich way that it seems impossible it could be as short as it is. I personally really resonated with how the main character, imbued with the memory of their people, runs away from this duty because it is killing her. Much like Atlas bolted when Hercules gave him the chance, Yetu can’t take it anymore. When coupled with the environmental and human (mermaid?) rights themes of this book, I couldn’t help but think of how many people have burned out of activism while fighting to make the world a better place.
Yetu’s struggle with balancing her own well-being and that of her people is really the conflict here, with the fate of the world dependent on one person. The story didn’t pull any emotional punches and hit me a lot harder than any typical farmboy with a sword narrative might.
I also really love that the story didn’t end in the traditional, singular sacrifice of our hero, but in a more collaborative solution that was far better for Yetu and her people. It felt optimistic, but realistic, and was a welcome change to the one person saves the world on their own narrative even if Yetu’s own actions are a critical piece of that solution.
Despite the short length, the characters beyond Yetu held their own and felt like real people, not just cardboard cutouts there to advance the plot, which I’ve sometimes found to be the case in novellas.
I can’t recommend this book enough. It deals with some heavy stuff, but makes you feel like anything is possible if you don’t try to do it all on your own. It’s definitely going on my list of tidalpunk recommendations.
If you’d like to support the blog, please use the affiliate link to the book above, or consider supporting us on Comradery, a cooperatively-owned patronage platform.
Weird Fishes by Rae Mariz was a wonderful journey that reminded me of how I felt the first time I read 20,000 Leagues Under the Sea as a kid. This book is definitely going on my recommendations list for tidalpunk literature, as it very deftly addresses climate change and its effects on the ocean without feeling preachy.
The story is an interesting take on the buddy genre, pairing a sheltered octopod scientist with an emotionally-vibrant and well-traveled mermaid. Amusing and profound interactions between the two characters help them grow as individuals while they investigate the cause and solution to slowing ocean currents.
Mariz’s prose is beautiful and evokes a true feeling of wonder and connectedness to the ocean. Clever twists on common turns of phrase remind you that the main characters aren’t human, and the interplay of the many different species of the ocean gives hints at the biodiversity teeming below the surface. There’s even a cameo by 52 Blue, the “world’s loneliest whale.”
This book helps you remember that we came from the sea and that it still exerts an emotional pull on us like the tide. One of my favorite lines from the book is “People carry the ocean inside them. On an upright fishbone spine sits the soul of an octopus.” Not every line in the book is that poetic, but I feel that encapsulates my feelings when I read this book.
While I wholeheartedly enjoyed this book, it isn’t for everyone. The book doesn’t shy away from the real world consequences of microplastics, commercial fishing, and warming oceans. Many creatures die, often in graphic, but not prolonged, ways. This book also has a content warning for sexual assault.
If you’re looking for a tidalpunk read that rekindles your love for the ocean, I can’t recommend Weird Fishes enough. If you’ve read any good tidalpunk books lately, let us know down below! I just started The Deep by Rivers Solomon and hope to report back on it soon!
Thanks to Stelliform Press for providing an ARC in exchange for my honest review.
If you’d like to support the blog, please use the affiliate link to the book above, or consider supporting us on Comradery, a cooperatively-owned patronage platform.
The House of Drought is a WEIRD novella. I don’t typically read horror, so this is from the perspective of a fantasy/scifi reader. To that end, I really loved the folklore aspects of this story. Seeing what elements of stories are common and different across cultures is always facinating to me, and this story definitely delivers there. There aren’t any concrete explanations of what’s going on, and the multiple names and explanations for any given phenomena by different people bring the folklore to life. Knowing nothing of Sri Lankan folklore, I’m led to believe the author did this part justice.
Since the story hops around between several characters and timelines in the space of a novella, I never really felt a strong connection to any one character. I think that this is where the story would’ve benefitted from being fleshed out into a full length novel or cutting the number of viewpoints if it needed to stay a novella. I really want to give this story four stars since the setting was so interesting, but the lack of engaging characters drops it down to a three for me.
Speaking of multiple timelines, if you really need your books to be linear, this isn’t the story for you. There are frequent time jumps within a chapter, although they do follow a pattern once you realize what’s happening. It’s an interesting approach, but I don’t think it was really necessary to the story.
This is one of the first times I’ve seen a piece of fiction really try to connect colonialism and climate change and how imperialism has wounded the natural world. It’s not an easy thing to accomplish without getting preachy, but the author managed to weave it into the story without it feeling too heavy-handed. The tension between the House of Drought and the surrounding forest becomes an analogue for the tension between colonialism/capitalism and nature. I wouldn’t call it subtle, but by these forces being more animate setting than viewpoint character, it feels like an innate truth suffusing the story and not something the author slows down to explain in a pedantic manner.
This novella had me turning pages to find out what happened, but, like I said, the lack of any compelling characters makes it hard for me to give it more than three stars. I’m very interested to see what Mombauer can do with a full length novel though, since I think the rest of this story is pretty solid.
I’d like to thank Stelliform for providing an ARC in return for this honest review.
Before I get into the big (for me) news, I thought I’d offer a bit of clarification. I often use we and I interchangeably here on the blog, and it’s not an attempt to set myself up as royalty. I’ve always intended Solarpunk Station to grow beyond just one rando’s ramblings on the internet, so I’ve used we aspirationally in the hopes that someday there would be more contributors beyond myself. I am currently planning a project for the fall that will include some guest contributors that I hope will move the blog and channel in that direction.
If you haven’t heard, Solarpunk Station is now a member of Comradery Coop! Comradery is a place where people can support their favorite creators via monthly donations or memberships. The big difference between Comradery and Patreon is that Comradery is a platform coop and creators are not subject to the whims of a centralized corporate entity. If you’d like to support the work I’m doing here on the blog and on the YouTube channel, check out the page here.
I think at this point just about everyone knows someone who thinks climate change is a problem, but that it will be too expensive to fix, or that the solutions just aren’t viable. I think Saul Griffith’s new book, Electrify, is the perfect book for this audience.
You can’t judge a book by its cover, but the blue foil shimmering on the white background of this cover certainly conjures images of the future. While tech bros promise techno-utopian carbon capture machines more efficient than trees, this book excels in rampant pragmatism. Griffith lays out a pathway to decarbonizing the United States transportation and power sectors with only currently existing technologies.
I don’t think I’m the target audience for this book, but I do think the plan to #ElectrifyEverything is a necessary, but not sufficient part of a solarpunk future. The catchphrase usually comes with some caveats, like probably not all industrial processes, and I do feel that solar thermal needs more love since a large percentage of energy use in the home is used for heating, but it’s a decent simplification for the bulk of our current fossil fuel applications.
Electrify can be criticized for not addressing climate justice beside a passing mention. We can’t afford to reinforce the racist and otherwise imbalanced power structures that originally lead to climate change during the energy transition. That said, this book isn’t designed to message an entire Green New Deal in one fell swoop. As someone who grew up listening to talk radio as a red state Republican (more on that later this year), I think Griffith does an excellent job of doing what we engineers do best – sticking to the facts.
He lays out a clear, but concise, explanation of how daunting climate change is, but then paints a solution by the numbers to how we can overcome it and be more prosperous by doing so. I’m not usually a big fan of all the militaristic language used to describe climate work, but the comparisons in this book to World War II mobilization are useful to put the scope of the issue into perspective. In short, reducing most of our emissions will cost a little less than it cost the US to fight WWII in terms of national GDP.
I think part of the reason climate inaction has been such an easy sell is because it feels too big for any one person to have any agency in the fight. Griffith points the way for how families, especially when bolstered with government-backed loans, can replace the pieces of equipment that generate the bulk of their carbon emissions – their car(s) and their appliances. This gets people in the door for the climate conversation.
I know centrism is a dirty word in solarpunk circles, but I don’t think we’re going to succeed in overcoming climate change or climate injustice if we decide that we can’t work with people who are coming from a different political background. Red states already generate the majority of the renewable power in the country, so that’s a starting point. The Republicans I know believe in fairness and justice, but the party and conservative talk show hosts have had decades to distort what those words mean in a political context. We aren’t going to overcome that conditioning overnight, but this book is a step in the right direction, even if it does just seem like neoliberal techno-utopianism at first blush. I feel there’s more going on here than that, but maybe I’m naive.
I am sending this book and my copy of Repair Revolution to my dad. He’s retired and does solar installs on the side since he has his certification as well as experience from wiring up his old and new houses for solar. He’s also a Trump supporter which led to some… strain in our relationship over the last few years. I’m hoping that this book will at least show how we have viable path forward to overcoming the worst effects of climate change without some massive government takeover of every industry, which is what many Republicans fear. Is it going to make him gung-ho about climate equity? No, but at least maybe he’ll be interested in talking about climate solutions instead of automatically shutting down the conversation. It’s not going to be an easy process to get to a solarpunk future, but we’ll get there, step by excruciating step. Electrify shows how the energy transition can at least be a relatively painless part of the process.
Is saving money and increasing our resiliency a way to bridge the political gap, or is storytelling the answer? I think it’s probably a mix, but let me know what you think below!
Disclaimer: If you order the book using the Indie Bound affiliate link above, I may receive a small commission.
Solarpunk creators, listen up! There are several projects that warrant your attention coming up: Solarpunk Magazine, Solarpunk Sunscapes, a Solarpunk Art Contest, and the XR Wordsmiths Solarpunk Story Contest.
First, if you want something to read right now, Grist’s Fix just announced the winners of their Imagine 2200 contest. If you want to read the stories, you can do so on the Grist website for free.
Solarpunk Magazine is launching their Kickstarter campaign October 2, 2021 to launch a speculative fiction magazine based on solarpunk. Once they’re going they’ll be accepting “short stories, flash fiction, and poetry that imagines a better and more harmonious world through.” For the Kickstarter, they have announced some pretty neat rewards from authors including Starhawk, Kim Stanley Robinson, and Alaya Dawn Johnson. Solarpunk Magazine will be launching in January 2022, and their podcast has already released its first two episodes.
Solarpunk Sunscapes is accepting submissions between 500 and 7,500 words until November 1, 2021. Editor Justine Norton-Kertson says they’re “always looking for stories with great character development, and stories with compelling conflict and tension even amidst a better and more utopian world.” If you think you have something that would be a great fit, check out the submission guidelines on their page.
Also accepting submissions until November 1, 2021 is the Solarpunk Art Contest by Yishan Wong. From Wong: “To bring about this [solarpunk] future we require not only science and technology and better politics, but a new aesthetic. We need art and music and film and even advertising that paints the picture for us of what our future can be, if only we are willing to work together and build it. That’s what this contest is about. If you believe as I do, I invite you to join me.”
Extinction Rebellion’s Wordsmiths (XR Wordsmiths) are running a Solarpunk Storytelling Showcase competition with entries closing October 11, 2021. There will be three different age categories for the contest (11 and under, 12-18, and 19+), so this could be a great opportunity for younger authors. For submissions: “With your vision for the planetary future in mind, please write a short story of up to 2,500 words and send it as an email (or email attachment) to XR Wordsmiths (xr-writers@protonmail.com) with the subject line ‘XR Solarpunk Storytelling Showcase Submission’.”
Are you an author, poet, or artist? What other opportunities are out there for solarpunk creators right now?
Hey all, just thought I’d do a quick post about some of the books I read this summer since we’re just passing the Fall Equinox. Today, I’m partway through Everything Change: An Anthology of Climate Fiction from Arizona State University. At this point I’ve read several different explicitly solarpunk anthologies, and I think the main difference from cli-fi (climate science fiction) is that solarpunk takes an optimistic tact. This anthology seems like a mixed bag of optimistic and dystopian visions of the future. I think it’s good to keep in mind that things could go badly, but I find I’m dwelling in negative outcomes enough to really want a whole lot of that in my fiction.
Some of the other books I finished recently were Rewiring America by Saul Griffith, Sam Calisch, and Laura Fraser, Walkaway by Cory Doctorow, and Altered Traits by Daniel Goleman and Richard Davidson.
I reviewed Rewiring America on the blog, if you want a more in-depth look at it. In short, it’s a detailed plan on how to decarbonize the vast majority of the US economy by 2035. I think it would make a good subset of the Green New Deal, if we ever get one, but it largely sidesteps issues of environmental justice and corporate concentration in favor of being politically palatable.
I’m hoping to write a piece about Walkaway soon, but I think the most succinct way to describe it is as Atlas Shrugged but written by someone who has discovered that capitalism and state-based communism are both bad news. Shrugging and going walkaway both are in response to a government and society that are hostile to the protagonists, leaving them the option to opt out of the default society. For those of you who have read Atlas Shrugged, there is no 100 page philosophical speech or significant narrative left turn in the back third of Walkaway. The time jumps between sections of the book were queued well, so I wasn’t left confused like I have been in some books that used this technique.
Altered Traits was recommended to me since I’ve been trying (and mostly failing) to build a habit of meditating. It details the scientific research into meditation and the effects it has on the brain. As someone with a scientific background, it’s always nice to see that there are measurable data to back up the anecdotal evidence that a particular thing is beneficial. Biological systems tend to be messy, so there are bigger error bars than you might see in physics, but the trends back up the general consensus that more meditative practice means more mental health benefits. Some of the effects even start kicking in pretty early for some practices. The book did a great job of describing how different types of meditation exercise different parts of your brain, so now I have a better idea of what kind of meditation to do if I want to boost concentration or combat negative feelings associated with depression. If you are interested in meditation or neurology, I’d definitely recommend giving it a read.
On the audiobook front, I have been relistening to The Stormlight Archive books by Brandon Sanderson. The fourth book in the series, Rhythm of War is coming out in November, so it’s a good time to catch up on what’s happened so far. These books are epic fantasy, so the first three clock in at 42, 48, and 55 hours of audio! I also was listening along with the Year of Dresden reread this year, and the newest book, Battle Ground, just came out on Tuesday! The Dresden Files is urban fantasy if you haven’t run across it before, so it’s a little lighter fare than the doorstoppers Sanderson writes. If you’re looking for a noire-esque wizard detective trying to get by in the modern world, you should give them a try!
If you want to get a free audiobook, I did recently get a referral code for Libro.fm, which is an audiobook merchant that works with local bookstores so they aren’t cut out of the audiobook market like they are with Audible. If you want to support Cory Doctorow’s work to fight DRM and Audible’s overwhelming market power in the audiobook industry, I suggest you checkout the Kickstarter for his upcoming book, Attack Surface. The Kickstarter ends on Thursday, October 8, 2020 at midnight.
What have you been reading/listening to lately? Anything that seemed particularly solarpunk, or just some good old fashioned escapism?
FYI – There are some affiliate links in the article there, so I may get a small referral fee if you purchase something through them.
