House of Drought – A review

The House of Drought is a WEIRD novella. I don’t typically read horror, so this is from the perspective of a fantasy/scifi reader. To that end, I really loved the folklore aspects of this story. Seeing what elements of stories are common and different across cultures is always facinating to me, and this story definitely delivers there. There aren’t any concrete explanations of what’s going on, and the multiple names and explanations for any given phenomena by different people bring the folklore to life. Knowing nothing of Sri Lankan folklore, I’m led to believe the author did this part justice.

Since the story hops around between several characters and timelines in the space of a novella, I never really felt a strong connection to any one character. I think that this is where the story would’ve benefitted from being fleshed out into a full length novel or cutting the number of viewpoints if it needed to stay a novella. I really want to give this story four stars since the setting was so interesting, but the lack of engaging characters drops it down to a three for me.

Speaking of multiple timelines, if you really need your books to be linear, this isn’t the story for you. There are frequent time jumps within a chapter, although they do follow a pattern once you realize what’s happening. It’s an interesting approach, but I don’t think it was really necessary to the story.

This is one of the first times I’ve seen a piece of fiction really try to connect colonialism and climate change and how imperialism has wounded the natural world. It’s not an easy thing to accomplish without getting preachy, but the author managed to weave it into the story without it feeling too heavy-handed. The tension between the House of Drought and the surrounding forest becomes an analogue for the tension between colonialism/capitalism and nature. I wouldn’t call it subtle, but by these forces being more animate setting than viewpoint character, it feels like an innate truth suffusing the story and not something the author slows down to explain in a pedantic manner.

This novella had me turning pages to find out what happened, but, like I said, the lack of any compelling characters makes it hard for me to give it more than three stars. I’m very interested to see what Mombauer can do with a full length novel though, since I think the rest of this story is pretty solid.

I’d like to thank Stelliform for providing an ARC in return for this honest review.

Bad News First…

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A sad face emoji in black spray painted on an off-white wall. — Photo by Jan Prokes on Pexels.com

I’ve written before about how my laptop has served me well for nearly a decade at the low cost of several replacement parts. Unfortunately, one of the things I didn’t think to replace was the thermal paste on the CPU and GPU. This is the goop that helps transfer heat away from those critical components and into the cooling system so they don’t overheat and fail. This is particularly critical if you’re doing intensive tasks like editing video for a YouTube channel.

I started getting some weird slowdowns and freezes on general tasks and then full crashes when trying to edit video. The crash log helpfully said “GPU Panic” and a bunch of other things that are probably only decipherable by a hardware or firmware engineer. After the third or fourth crash, I decided that if I wanted to continue using my laptop, I’d need to offload the video editing to a different machine.

I decided to go with a Mac again, since my main use case was video editing. I’m not in college anymore, so I realized I didn’t really need to be mobile which is great since adding a battery and screen means laptops are more expensive and more likely to need repairs than a desktop. The new Apple Silicon Macs aren’t really repairable, but it is rare that you get a chance to jump to a completely new, but well-supported, platform. So, I gave into the new and shiny by getting an M1 Mac mini.

A Mac mini sits on top of a 15" MacBook Pro Laptop. The Mac mini desktop has a smaller footprint than the laptop. The laptop has stickers from Sparkfun electronics, NaNoWriMo, and the Center for Civic Innovation on it's lid. — My New Mac mini on top of my 2010 MacBook Pro

A big part of why I went with the Mac mini is that it is the greenest option if you do want to go with an M1. The storage and RAM aren’t user serviceable like on my Macbook Pro, but since there’s no battery and the screen, keyboard, and mouse are all separate components, I can use peripherals I already have. Plus, if one of them breaks, they’re easily replaced.

As Solarpunk Druid recently said, most modern devices are not built to be repaired, so we have to do the best with the options we have available. I’ve been very impressed with the new computer, but I’m glad the laptop still works as I’ve formed an emotional bond with the machine after using it so long and replacing so many of it’s components. I’m hopeful that this new machine will be as long-lived since while it’s less repairable it also has fewer components that could fail. I guess we’ll see.

How do you balance sustainability and replacing or repairing the broken things in your life? Are you reading this on a thirty year old computer and laughing at my boasts of using a mere decade old laptop? Let us know in the comments!

What’s Old is New Again – Deconstruction

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A picture of the indoor waterfall at the Singapore airport. A large metal and glass bowl pours water out its bottom while surrounded by greenery. — Photo by Tiff Ng on Pexels.com

I recently saw several complaints about the preponderance of tree-stuffed glass towers or eco-brutalist structures in solarpunk art. Are trees on buildings the solarpunk equivalent of steampunk’s oft-maligned, “just stick some gears on it?” For an actual regenerative future, we’ll need to keep our buildings in use longer and reuse the materials from them more effectively when they do reach the end of their life.

Construction and demolition (C&D) waste accounts for twice as much of the waste stream here in the United States when compared to municipal waste. While 455 of the 600 million tons of waste were used again, the majority of that went to aggregate, making it a significant case of downcycling. This is not getting us to a closed loop, Cradle-to-Cradle system that we’ll need for our solarpunk future. Deconstruction presents a way out of this mess.

A woman looks at a partially deconstructed wall with two windows. There are slats along the wall, indicating it was once plastered. A ladder leans against another wall in the background and an exposed stud wall is between the camera and the woman. Debris litters the floor, presumably from demolition. — Photo by Monica Silvestre on Pexels.com

Almost any building, no matter how dilapidated, contains a treasure trove of materials: wood, steel, wiring, and plumbing. Unfortunately, in our cost-obsessed culture, it’s considered too expensive to retrieve these useful materials from the building. Instead, a building will be demolished, either by crane or explosives, and the debris will be hauled away. As we know from municipal recycling programs, once waste is mixed, it is much more difficult to separate. Any material that was still useful will be recovered at a much lower rate than if it had been separated before the building was demolished.

There are places where the careful removal of useful materials from a building is prioritized, like Portland, which passed an ordinance in 2016 to require deconstruction of homes built before 1940. Homes built after this time were not designed in a way to make disassembly simple, so the city is building up its deconstruction apparatus with the low hanging fruit. My impression is that the leader in this space is Japan, where space and materials are always at a premium. Other places in the United States investigating or requiring deconstruction include Pittsburgh, Baltimore, Milwaukee, and San Antonio.

A brick wall with a window on the left, and a large creeping vine covering it on the right. The bricks are red and black with white mortar. — Photo by Tim Mossholder on Pexels.com

More difficult materials, such as masonry products, present a special difficulty for reuse and recycling. While individual bricks are reusable, extracting them from a wall and removing all the mortar can be painstaking at best. Gabriela Medero, a professor from Scotland, has a possible solution, the K-Briq. Made mostly from construction waste in a process that can be placed onsite at C&D disposal facilities, K-Briq is one possibility for reusing masonry materials.

As more streamlined methods of construction like modular or 3D printed buildings reduce the labor needed for construction, increased deconstruction requirements will lead to an increase in the labor needed for a building’s end of life. While in a solarpunk future, a person’s ability to work wouldn’t be tied to their survival, in our current world, the ability for construction workers to provide for their families is a major concern. The labor unions that can influence the direction of the construction industry are particularly concerned about having enough labor demand for their members. Deconstruction gives us a way for both people and the planet to win.

Do you have deconstruction requirements in your area? I’m especially curious about how this is handled outside the United States, as we often lag behind the rest of the world when it comes to sustainable construction techniques. Please share in the comments!

Exciting announcements

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Before I get into the big (for me) news, I thought I’d offer a bit of clarification. I often use we and I interchangeably here on the blog, and it’s not an attempt to set myself up as royalty. I’ve always intended Solarpunk Station to grow beyond just one rando’s ramblings on the internet, so I’ve used we aspirationally in the hopes that someday there would be more contributors beyond myself. I am currently planning a project for the fall that will include some guest contributors that I hope will move the blog and channel in that direction.

Three black and white CGI characters carrying what appear to be celery, a drumstick, and perhaps a giant noodle emerging from a cloud are walking together beneath yellow and black text saying "Comradery."

If you haven’t heard, Solarpunk Station is now a member of Comradery Coop! Comradery is a place where people can support their favorite creators via monthly donations or memberships. The big difference between Comradery and Patreon is that Comradery is a platform coop and creators are not subject to the whims of a centralized corporate entity. If you’d like to support the work I’m doing here on the blog and on the YouTube channel, check out the page here.

An image of a raised planter garden with the anthology title: "Almanac for the Anthropocene: A Compendium of Solarpunk Futures" and the words: "Edited by Phoebe Wagner and Brontë Christopher Wieland."

The other exciting announcement is that an anthology I contributed to, Almanac of the Anthropocene: A Compendium of Solarpunk Futures, is up for preorders now! It’s coming out in September, and you can get it from WVU Press.

Thanks everyone for making this worthwhile, and I look forward to continuing to work together to build regenerative futures!

What is Lunarpunk?

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Lunarpunks are the night dwellers of our solarpunk futures. Biomimmicry of bioluminescent creatures, moth-themed cloaks, and gossamer fabrics fluttering in the night breeze are some of the aesthetic influences here. Winter would be the lunarpunks’s time to be more active, hosting events in the crisp nights from art exhibits to street festivals.

Creatures of the Night

Lunarpunk focuses more on the night than solarpunk’s sunny disposition. Because of this, lunarpunk aesthetics are heavy in purples and blacks as opposed to the greens and yellows of solarpunk. Bioluminescent creatures provide inspiration for clothes that glow either under black-light or as a result of smart textiles. Lunarpunks love their fellow creatures of the night – moths, mushrooms, and bats.

Where the punk really comes in is that in a lunarpunk society, people feel safe going out at night. Social safety nets mean that people don’t have to resort to crime to get by, rape culture has been excised from the cultural consciousness, and sex work is demarginalized, voluntary, and safe. Police, prisons, and punitive justice have given way to restorative justice and a world where anyone, regardless of sex, gender, or sexual orientation, can feel safe walking down the street at night.

Person wearing a black, white, and crimson cape patterned like moth wings. Cape is wider than armspan in width, makeing the wearer appear to have moth wings. — Moth Wings Cape by CostureoReal on Etsy

Biotech

Biotechnology will have a big role to play in our solarpunk future, but I especially associate lunarpunk with biotechnology. I think this might be because of the aesthetic associations with mushrooms and bioluminescence. Bioluminescent trees or algae lamps could provide electricity-free path lighting in the cities of the future, and amazing different materials are being created from mushrooms like leather, wood, paper, or even structural building materials. Hempcrete and coral-inspired biomimetic concrete are being investigated to replace the carbon-intensive traditional concrete we use for so much infrastructure today.

Magic

Maybe it’s all the purple hues or the influence of the Moon, but lunarpunk feels more magical than solarpunk to me. As solarpunk is a movement that accepts both the spiritual and the scientific, this distinction is probably due more to my own cultural biases of magic being dark and mysterious than it is to any preference for solarpunks or lunarpunks to practice magic or not. The Solarpunk Druid and Justine Norton-Kertson have said something similar though, so it seems I’m not alone. While not a large percentage of the population yet, the growing number of pagans in the world will find a home in a lunarpunk future.

Space, the lunarpunk frontier

Space has also become tied to lunarpunk expressions of a hopeful future. One series that I’ll talk more about in a future article that embodies this is the Earthseed duology by Octavia Butler. While the events of the books are terrestrial in nature, the main character is driven to help humanity reach the stars while not neglecting the planet we call home. Lunarpunk offers an alternative to the current thrust of private, corporate space exploration making space travel only for the rich and powerful to escape the planet they’ve ruined by ignoring the toll their activities exact from the natural world.

A proposed lunarpunk flag. A crescent moon in white overlays a black half circle moon silhouette which turns into a gear. These are overlayed on top of a purple (top-left) and black (bottom-right) flag, cut through on a 45 degree angle as many anarcho-fill-in-the-blank flags are. — A proposed lunarpunk flag

Upcoming lunarpunk projects

If you want more lunarpunk, there are two upcoming projects worth checking out. Submissions are open until March 14 for the lunarpunk-themed issue of Solarpunk Magazine, and until March 31 for Bioluminescent: A Lunarpunk Anthology. The Solarpunk Magazine submission window may tentatively reopen in May if they are still looking for submissions.

I’m really interested to see if there will be any stories that are both tidalpunk and lunarpunk, since the Moon’s influence on the tides makes me feel that there is a strong connection between the two subgenres.

Do you know of any other cool projects in the lunarpunk sphere right now? Let us know in the comments below, and have a great night!

Imagination

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A black and orange floral background with the text, "From What if to What Next - A new podcast series with Rob Hopkins" it also includes a link to the series Patreon: www.patreon.com/fromwhatiftowhatnext

I’ve talked about how fiction can point the way to better futures, and one thing that really underlies fiction is imagination. As Einstein said, “We cannot solve our problems with the same level of thinking that created them.” If we want to overcome the climate crisis we need to imagine a better future than our current cyberpunk dystopia. This is why I was so excited to find the From What If to What Next podcast by Rob Hopkins.

Hopkins and his guests take the listener on a journey to an imagined 2030 that has seen radical change for the better. Each episode focuses on a specific topic, like Universal Basic Income, and the show starts with the guests describing what a day-in-the-life in 2030 might be like.

It’s been said that people find it easier to imagine an end to the world than an end to capitalism, and that’s because imagination outside of how to make more money has been relegated to the realm of children. Having an active imagination is seen as a weakness for adults who shouldn’t have their “head in the clouds.”

An animated GIF of Spongebob Squarepants (an anthropomorphic yellow sponge) moving his hands in an arc to create a rainbow out of thin air (water?). His pupils expand as he says the word, "Imagination." — Spongebob exercising his imagination

We need to reinvigorate our collective imagination to move forward as a society. The challenges facing us are serious, but that’s all the more reason to stop taking ourselves so seriously. Imagination and play are pivotal to our survival as a species, and that’s something we often forget, particularly those of us with backgrounds in STEM. Artists are way ahead of us in this respect.

When I was in grad school, I remember a friend from Thailand telling us how the protests there were like big parties with music and dancing. I just didn’t get it. My understanding of a protest was a bunch of angry people waving signs and calling out demands on a megaphone.

Now though, I think protests parties seem more effective. Prefiguring a better world at a small scale, like Occupy Wall Street did, is like a kind of sympathetic magic to create a future worth running toward. From What If to What Next is a great way to start thinking about the possibilities in our solarpunk futures. As we’re still evaluating how things will be when we establish a “new normal” after the pandemic, I’m cautiously optimistic about how we might see a brighter tomorrow.

Do you have any favorite ways to let your imagination run wild? I’d love to hear what you do in the comments! I love going on walks to jump start my own imagination.

Electrify by Saul Griffith – a Review

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I think at this point just about everyone knows someone who thinks climate change is a problem, but that it will be too expensive to fix, or that the solutions just aren’t viable. I think Saul Griffith’s new book, Electrify, is the perfect book for this audience.

You can’t judge a book by its cover, but the blue foil shimmering on the white background of this cover certainly conjures images of the future. While tech bros promise techno-utopian carbon capture machines more efficient than trees, this book excels in rampant pragmatism. Griffith lays out a pathway to decarbonizing the United States transportation and power sectors with only currently existing technologies.

I don’t think I’m the target audience for this book, but I do think the plan to #ElectrifyEverything is a necessary, but not sufficient part of a solarpunk future. The catchphrase usually comes with some caveats, like probably not all industrial processes, and I do feel that solar thermal needs more love since a large percentage of energy use in the home is used for heating, but it’s a decent simplification for the bulk of our current fossil fuel applications.

Electrify can be criticized for not addressing climate justice beside a passing mention. We can’t afford to reinforce the racist and otherwise imbalanced power structures that originally lead to climate change during the energy transition. That said, this book isn’t designed to message an entire Green New Deal in one fell swoop. As someone who grew up listening to talk radio as a red state Republican (more on that later this year), I think Griffith does an excellent job of doing what we engineers do best – sticking to the facts.

He lays out a clear, but concise, explanation of how daunting climate change is, but then paints a solution by the numbers to how we can overcome it and be more prosperous by doing so. I’m not usually a big fan of all the militaristic language used to describe climate work, but the comparisons in this book to World War II mobilization are useful to put the scope of the issue into perspective. In short, reducing most of our emissions will cost a little less than it cost the US to fight WWII in terms of national GDP.

I think part of the reason climate inaction has been such an easy sell is because it feels too big for any one person to have any agency in the fight. Griffith points the way for how families, especially when bolstered with government-backed loans, can replace the pieces of equipment that generate the bulk of their carbon emissions – their car(s) and their appliances. This gets people in the door for the climate conversation.

A snowy field full of solar panels with a large wind turbine reaching toward the sky in the background. There are two buildings in the background, and one appears to be a silo or astronomy tower based on the hemispherical top.

I know centrism is a dirty word in solarpunk circles, but I don’t think we’re going to succeed in overcoming climate change or climate injustice if we decide that we can’t work with people who are coming from a different political background. Red states already generate the majority of the renewable power in the country, so that’s a starting point. The Republicans I know believe in fairness and justice, but the party and conservative talk show hosts have had decades to distort what those words mean in a political context. We aren’t going to overcome that conditioning overnight, but this book is a step in the right direction, even if it does just seem like neoliberal techno-utopianism at first blush. I feel there’s more going on here than that, but maybe I’m naive.

I am sending this book and my copy of Repair Revolution to my dad. He’s retired and does solar installs on the side since he has his certification as well as experience from wiring up his old and new houses for solar. He’s also a Trump supporter which led to some… strain in our relationship over the last few years. I’m hoping that this book will at least show how we have viable path forward to overcoming the worst effects of climate change without some massive government takeover of every industry, which is what many Republicans fear. Is it going to make him gung-ho about climate equity? No, but at least maybe he’ll be interested in talking about climate solutions instead of automatically shutting down the conversation. It’s not going to be an easy process to get to a solarpunk future, but we’ll get there, step by excruciating step. Electrify shows how the energy transition can at least be a relatively painless part of the process.

Is saving money and increasing our resiliency a way to bridge the political gap, or is storytelling the answer? I think it’s probably a mix, but let me know what you think below!

Disclaimer: If you order the book using the Indie Bound affiliate link above, I may receive a small commission.

Podcasts for the Planet

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When I first started tuning into the solarpunk scene, climate podcasts were few and far between, or at least hard to find. Just in the last few years this has really changed, so here’s a roundup of some of my favorites.

How to Save a Planet – Hosted by Dr. Ayana Elizabeth Johnson and Alex Blumberg, How to Save a Planet investigates solutions to the climate crisis and ends every episode with a call to action you can take right now to help mitigate climate change.
Hot Take – A NSFW podcast hosted by Mary Annaïse Heglar and Amy Westervelt that takes a look at journalism and storytelling surrounding the climate crisis. If you don’t like swearing this is definitely NOT the podcast for you.
Frontiers of Commoning – David Bollier helps us explore the re-emergence of the commons, which is a critically important part of building an environmentally just future.
A Matter of Degrees – Geared toward those concerned, but not yet in the weeds of climate work, Dr. Leah Stokes and Dr. Katharine Wilkinson investigate solutions to climate change and what impacts these technologies and policies could produce.
No Place Like Home – Mary Anne Hitt & Anna Jane Joyner find the personal stories of people experiencing climate change first-hand to put a face to the climate crisis.
Warm Regards – Podcasts helmed by fellow scientists warm my heart, and Warm Regards is one of the best. Investigating the intersection of humanity and hard data, Warm Regards bridges the gap between the sciences and humanities.
Climate One – Climate One talks with scientists, politicians, and change makers impacting technology and climate policy. This show is typically more of a panel format with Greg Dalton as MC compared to the talk show nature of most of these other shows.
RepublicEN – Republicans who want to fight climate change DO exist, and this podcast covers climate policy from a “conservative” lens. I suspect that I’m not the only solarpunk with Republican relatives, so this is a good recommendation for your wider network, even if you aren’t one yourself.

I tried to only recommend podcasts I’ve listened to, but there’s an even bigger list here curated by Hot Take. Do you have a favorite climate podcast? Let us know in the comments below, especially if they’re in a language other than English! I know we have at least a few readers from around the world, and as an American, I only speak 1.5 languages.

Wild ideas: Ban advertising

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At its most altruistic, advertising helps people find products or services that can improve their lives. In reality, advertising generates dissatisfaction in people so they will try to fill an imagined void with the thing the advertiser is selling.

Researchers have found that the amount of money spent in a country on advertising is inversely proportional to the happiness citizens report in that same country. While dividing by zero is inappropriate, it seems that eliminating advertising is a simple way to increase the happiness of many people. I think the characters in Walkaway by Cory Doctorow said it best:

“Is there really abundance? If the whole world went walkaway tomorrow would there be enough?”
“By definition,” she said. “Because enough is whatever you make it. Maybe you want to have 30 kids. ‘Enough’ for you is more than ‘enough’ for me… Depending on how you look at it, there’ll never be enough, or there’ll always be plenty.”
Walkaway by Cory Doctorow

The first step to banning ads seems to be the billboard ban. A few states in the US have such bans, and São Paolo, Brazil drew a lot of press when they instituted their “Clean City Law in 2006. Despite predictions of economic collapse brought on by the lack of outdoor advertising, citizens overwhelmingly supported the move and the change brought many previously hidden civic issues to light. Given the rollout of “smart billboards” that bring the pervasive tracking you know and love from the internet to the real world, getting rid of billboards everywhere else can’t happen soon enough.

Current advertising practices promote carbon-intensive lifestyle goods like SUVs that increase global carbon emissions. We should significantly limit, if not totally eliminate, all advertising if we want to hit the Paris Accord targets. We’ve built an economy based on growth for growth’s sake, and capitalism treats natural resources as infinite when it’s clear they aren’t. Banning advertisement is the first step in reducing consumption. Remember, it’s Reduce, Reuse, Recycle. The recycle is last for a reason.

One group that’s been working to curb advertising is Fairplay, a nonprofit that runs the Campaign for a Commercial-Free Childhood. While their efforts are focused on a specific demographic, it seems that they have been working in the space the longest. As a new parent, I’m especially interested in their work. Growing our next generation of citizens outside of the consumer mindset would be an excellent place to start banning ads.

As a small business owner, I’d love to see an end to ads. While I have run ads to drive traffic to my Etsy shops, I feel that it isn’t something I like spending time on or feel adds a lot of value to the end product. Maybe selling on Etsy isn’t the best idea since I abhor sales, but I really like making things and don’t have enough room to keep all of my projects around. While I need people to find the things I make, I don’t like hunting customers around the internet like a predatory car salesperson.

Finally, if you haven’t already done so, I encourage you to install an ad-blocker and/or tracker blocker software. I use uBlock Origin, Privacy Badger, Canvas Blocker, and Decentraleyes on my own Firefox installation, but everyone has their own favorites. This software lets you regain a little bit of privacy as well as block a fair amount of the ad traffic directed toward your eyeballs. It’s not foolproof, but it can help you regain a small modicum of sanity in this ad-saturated world.

Do you love ads and think this is a terrible plan? Have you seen any clever ideas to circumvent ads? Let us know below.

Solarpunk Creator Opportunities – October 2021

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Solarpunk creators, listen up! There are several projects that warrant your attention coming up: Solarpunk Magazine, Solarpunk Sunscapes, a Solarpunk Art Contest, and the XR Wordsmiths Solarpunk Story Contest.

First, if you want something to read right now, Grist’s Fix just announced the winners of their Imagine 2200 contest. If you want to read the stories, you can do so on the Grist website for free.

Solarpunk Magazine is launching their Kickstarter campaign October 2, 2021 to launch a speculative fiction magazine based on solarpunk. Once they’re going they’ll be accepting “short stories, flash fiction, and poetry that imagines a better and more harmonious world through.” For the Kickstarter, they have announced some pretty neat rewards from authors including Starhawk, Kim Stanley Robinson, and Alaya Dawn Johnson. Solarpunk Magazine will be launching in January 2022, and their podcast has already released its first two episodes.

Solarpunk Sunscapes is accepting submissions between 500 and 7,500 words until November 1, 2021. Editor Justine Norton-Kertson says they’re “always looking for stories with great character development, and stories with compelling conflict and tension even amidst a better and more utopian world.” If you think you have something that would be a great fit, check out the submission guidelines on their page.

Also accepting submissions until November 1, 2021 is the Solarpunk Art Contest by Yishan Wong. From Wong: “To bring about this [solarpunk] future we require not only science and technology and better politics, but a new aesthetic. We need art and music and film and even advertising that paints the picture for us of what our future can be, if only we are willing to work together and build it. That’s what this contest is about. If you believe as I do, I invite you to join me.”

Extinction Rebellion’s Wordsmiths (XR Wordsmiths) are running a Solarpunk Storytelling Showcase competition with entries closing October 11, 2021. There will be three different age categories for the contest (11 and under, 12-18, and 19+), so this could be a great opportunity for younger authors. For submissions: “With your vision for the planetary future in mind, please write a short story of up to 2,500 words and send it as an email (or email attachment) to XR Wordsmiths (xr-writers@protonmail.com) with the subject line ‘XR Solarpunk Storytelling Showcase Submission’.”

Are you an author, poet, or artist? What other opportunities are out there for solarpunk creators right now?